White Space Supporters Propose Solution for Wireless Mic
Industry
WASHINGTON D.C. – The Wireless
Innovation Alliance (WIA) announced its support for a
compromise proposed by the White Space Coalition to
ensure the protection of wireless microphones. The
compromise, outlined in a letter to the Federal
Communications Commission (Available
here), would employ
both protection beacons and the capability to sense and
avoid wireless microphones. The "belt-and-suspenders"
concept of a combined beacon/sensing protection for
wireless microphones had been previously proposed by Shure, the leading manufacturer of wireless microphones.
The Coalition’s letter specifically proposes a way for
the Commission to: (1) ensure extraordinary protection
for legal wireless microphones, (2) address the open
secret that most wireless microphone use in the TV bands
is illegal, and (3) recognize that the use of wireless
microphones by churches and other socially important
users should be legalized.
"White space supporters are aware and sympathetic of the
Commission's difficult task of balancing the benefits of
innovation with the legitimate concerns of incumbents,"
Ed Thomas, Senior Policy Advisor and spokesperson for
the Coalition said. "It has been our long held belief
that balance is in the best interest of everyone
involved and is simply a matter of adopting the right
technological solution. The compromise proposed by the
White Space Coalition is that solution."
"WIA,
our partners, and supporters of white space technology
in general have every interest in ensuring the continued
operations of legitimate wireless microphone users,"
Brian Peters, a spokesperson for the Wireless Innovation
Alliance said. "A beaconing design would alleviate any
concerns the Commission or the Microphone Industry
Coalition (MIC) would have regarding the continued
development of white space technology, and should be
embraced as soon as possible. WIA is committed to
working with any and all of the interested stakeholders
to find reasonable solutions that can move this
important process forward."
The
submission also proposed that the Commission include,
for the first time, most churches, Broadway theatres,
and other organizations for which the Commission
determines the use of wireless microphones is in the
public interest, in the Agency's list of permissible
license holders in the TV band. Today most wireless
microphones use in the TV band violates FCC rules.
Filming Now
Steve Aaron - "The Year One"
Walter Anderson - "Comeback"
M. Scott Blynder, C.A.S. - "Repossession
Mambo"
Willie Burton - "Burning Sands"
Fernando Camara - "Dragonball"
Steve Cantamessa - "Seventeen Again"
Peter Devlin - "Star Trek"
Robert Eber - "Soul Men"
Seth Eubanks - "Megan Is Missing", "Untitled Gehenna
Project"
Stephen Hunter Flick - "Abduction of Jesse
Bookman"
Kirk Francis - "Eagle Eye"
Jose Antonio Garcia - "Get Smart",
"All About Steve", “The Soloist"
Keith A. Garcia, C.A.S. - "The People
Speak"
Steven Grothe - "A Perfect Getaway"
Dick Hansen - "Jolene", "From A Place Of
Darkness"
Scott Harber - "Brüno"
Shawn Holden - "Quarantine"
David Husby - "The Day The Earth Stood
Still"
Dan Izen - "The Open Road", "Perception"
Ryan Kaiser - "The Inner Circle"
Bill Kaplan - "Avatar", "Yes Man"
Brian Kaurich - "Tug" , "The Rain Chronicles"
David Kelson - "Meet Dave"
Walt Martin - "Changeling"
Glen Micallef - "Twilight"
David
MacMillan - "The Proposal" , "Transformers:
Revenge of the Fallen"
Mark McNabb, Boom: Jeff Norton, Bud Raymond- "Ghost Whisperer"
Erik Magnus, C.A.S. - "Serious Moonlight"
TJ O’Mara - "Confessions of a Shopaholic"
Kim Ornitz - "Crazy On The Outside"
Lisa Pinero - "Dakota Skye"
Matthew Price - "Notorious"
James Ridgley, C.A.S. - "Hollywood Brats"
Alex Riordan - "The Merry Gentleman"
Neal Spritz - "Marble City", "Lower
Learning", "The Stone House"
SanDisk
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We are proud to introduce to you, NeoPax wireless
transmitter belts. A collaboration between a sound
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No more searching for small patches of hook and loop
to align. And, the sewn-in pouches reduce the flop
factor to zero. Specifically designed for
Lectrosonics standard and SM transmitters, they will
also work with similar sized brands.
Taught by
Professional Sound Services, our workshops cover the tools,
techniques, and procedures used in the professional
sound business. Students gain an appreciation of the
aesthetic aspects of sound recording, learn tricks for
creating an audio design and explore how to manipulate
room tone, dialogue, and effects tracks for a realistic
sound presence. Pre-production planning, boom and
wireless microphone operation, microphone planting,
tape-deck signal setup, and other techniques are also
addressed. In addition, students are introduced to the
latest DAT and analog systems, inter-format recording
for music videos and commercial production, time code
and other management tools for post production.
Rich Topham teaching professional sound techniques
at
the American University in Washington D.C.
School of Communication
Call us
today 212.586.1033 to find
out more about PSS's unlimited sound
knowledge they
can share with you!
NYC
Production is 'BOOMING'
REEL JOBS
NYC
PROJECTS IN
PRE-PRODUCTION/PRODUCTION:
Brooklyn's Finest Company: Brooklyn's Finest Production
Address: 15 Washington Ave., Ste 3340, Brooklyn, NY
11205 Contact: Peter Sabat Scout: 4/16/08-7/11/08 Shoot:
5/16/08-7/11/08
Cupid
Company: ABCS NY, Inc. Address: 42-22 22nd St, Suite
205, LIC, NY 11101 Contact: M. J. Magbanua Scout:
6/16/08- 8/8/08 Shoot: 7/14/08-7/31/08 Comments: TV419s
Damages
Company: Canterbury Productions Inc. Address: Steiner 15
Washington Ave, Brooklyn, NY 11205 Contact: G. Yeaton
Scout: 6/6/08-11/1/08 Shoot: 6/24/08-11/1/08
Easy Street
Company: Divine Media, LLC Address: 38-01 23rd Avenue,
Suite 315, LIC, NY 11101 Contact: Maria Langusis Shoot:
4/15/08-7/15/08
Gossip Girl
Company: Warner Bros. Television Address: 42-22 22nd
Street, 3rd Floor, LIC, NY 11101 Contact: Steven Spencer
Scout: 6/4/08-12/31/08 Shoot: 6/19/08-3/3/09
I Hate
Valentine’s Day Company: I Hate V Day Productions, LLC
Address: 210 Douglass St., 2nd Fl, Suite 2A, Brooklyn,
NY 11217 Contact: Sasha Charlemagne Scout:
6/12/08-6/30/08 Shoot: 6/30/08-7/18/08
Lipstick
Jungle Company: NBC Studios, Inc. Address: 203 Meserole
Ave, 2nd Floor, Brooklyn, NY 11222 Contact: Dawn Riley
Scout: 6/9/08-11/19/08 Shoot: 6/23/08-11/19/08
Night at
the Museum 2 Company: Museum US Prod/20th Century Fox
Address: PO Box 900, Bldg. 59 Rm 104 Contact: Dawn
McDonald Scout: 4/15/08-6/30/08 Shoot: 8/13/08-8/22/08
The Last of
Days Company: The Last Day of Summer Address: 116 W23rd
Street, 5th Floor, NY, NY 10011 Contact: Kevin Arbouet
Scout: 6/20/08-7/15/08 Shoot: 7/3/08-7/14/08 Comment:
FF111s
The Taking
of Pelham 123 Company: Columbia Pictures, Inc. Address:
34-12 36th Street, 3rd Floor, Astoria, NY 11106 Contact:
John DiSimone Shoot: 2/7/08-7/4/08
The
Unusuals Company: Topanga Productions, Inc. Address:
42-22 22nd Street, #3S, LIC, NY 11101 Contact: Jen
Crammer Scout: 5/3/08-6/26/08 Shoot: 6/10/08-6/26/08
Untitled
HBO Project Company: Mox Productions, Inc. Address: 425
W23rd St. #1EE, NY, NY 10011 Contact: Kristin Bernstein
Scout: 5/15/08-6/1/08 Shoot: 8/11/08-9/15/08
Veronika
Decides To Die Company: Veronika Decides to Die Prod
Address: 51 E12th Street 6th Fl, NY, NY 10003 Contact:
M. J. Magbanua Shoot: 5/5/08-7/1/08
Watching
the Detectives Company: Kaufman Film and Television
Address: 601 W.26th St, Suite 1762, NY, NY 10001
Contact: Natasha Eng Scout: 5/9/08-6/9/08 Shoot:
5/12/08-9/15/08
When In
Rome Company: Grizzly Productions, Inc. Address: 15
Washington Avenue, Suite 3300, Brooklyn, NY 11205
Contact: Leda Nornang Scout: 3/19/08-6/19/08 Shoot:
4/14/08-6/28/08
One Month Left to Create
Sennheiser's 'Sound'
You hear them, and they stick
in your memory: Sound logos are to the ear, what a
visual symbol is to the eye. So what does an "audio
specialist" sound like? That's precisely what Sennheiser
wants to find out, with the help of its wide base of
creative customers. Through July 17, 2008, Sennheiser is
hosting a "sound logo" competition in which fans all
over the globe can submit audio clips that encapsulate
their idea of the "Sennheiser sound," one of which will
be chosen as Sennheiser's official acoustic trademark.
The chosen finalist will take home 5,000 euros (approx.
$7,900), as well as an optional 30,000 ($43,000) euros
if Sennheiser acquires unlimited rights to use the
winning logo.
An entry is allowed to be up to eight seconds long. To
make it as technologically simple as possible for those
taking part, contributions should be uploaded onto the
www.sennheiser.com/soundlogo website in MP3 format
(stereo, 128 KBs, max 10 MB).
Contributions must be uploaded to the website by July
17, 2008 for consideration. Each entrant may send in up
to five entries. By the end of August, 30 finalists will
be selected, at which point their sound logos will be
appraised by an international jury. "The public will be
a virtual member of the judging panel of five," said
Susanne Seidel, president of global marketing at
Sennheiser. "You, too, can vote for your favorite sound
logo via the website!"
Nine runners-up will win first-class sound equipment for
their home. They can choose between Sennheiser's dynamic
top-of-the-range HD 650 headphones or equipping their
rehearsal room with an evolution wireless ew 300 G2
microphone system. "We're really looking forward to
receiving entries from all corners of the world," says
Seidel. "There will be an explosion of musical
creativity."
In an
effort to combat counterfeiting of its products, Neutrik
has begun identifying its products with a unique
hologram of the Neutrik name and logo.
"Neutrik is committed to protecting its brand and
reputation," says Jim Cowan, president of Neutrik USA.
“Our new signature hologram will ensure that our
customers receive a genuine Neutrik product."
The hologram assures customers that they are using
original and legitimate Neutrik gear, known for its
reliable performance and superior quality. Counterfeit
products can be damaging to any company’s reputation,
when users find inferior performance from what was
thought to be a premium product. Because fake components
are made of lower grade materials, connections may not
be secure, and can lead to a loss in audio quality.
As
an Authorized Dealer of Neutrik Products, you can rest
assured at Professional Sound Services you will always
receive only genuine Neutrik products. GUARANTEED!
Sennheiser has begun to ship its EM 3732 twin receiver
with 90 MHz switching bandwidth. The new flagship of
Sennheiser's 3000 Series, the EM 3732 reportedly offers
automatic scanning functionality, choice of five
frequency ranges, transmitter synchronization via
infrared interface, and flexible analog and digital
connection options.
The EM 3732 receiver features six user-selectable fixed
frequency banks and one user bank with up to 60 channels
that can be programmed in increments of 5 kHz. The EM
3732 automatically searches for free frequencies within
a frequency bank.
An
integrated antenna splitter allows up to eight EM 3732
twin receivers to be daisy-chained. The EM 3732 is
targeted for large multichannel applications, not just
because of its wide switching bandwidth and tunable
channels, but also because of its infrared interface,
which programs SKM 5200, SK 5212 and SKP 3000
transmitters with the receiver data via a Hot Key.
The receiver's front-panel layout is clearly laid out
and its LED display offers high contrast and intensity.
The interface guides users through intuitive operating
menus, featuring easily remembered icons, which are
navigated using a jog dial. Frequently used menu items
can be accessed directly via convenient Hot Key
shortcuts. Both receivers can be monitored via
headphones individually or simultaneously.
The receiver system can be remote-controlled and
monitored using the provided Wireless Systems Manager
software. The PC is simply connected to the Ethernet
socket of the EM 3732.
Output level can be set in increments of 1 dB and is
available at a transformer-balanced XLR-3 analog output
as well as an AES3/EBU audio output for direct
connection with digital mixing consoles. Digital
synchronization of the 44.1 kHz, 48 kHz, 88.2 kHz or 96
kHz/24-bit sample rate can be generated internally or
accepted from the digital audio mixer via a BNC
connector. The audio quality is further maintained
through the use of a DSP-based HiDyn plus expander
rather than analog circuitry.
A range of antenna accessories is available for the EM
3732 twin receiver. The AB 3700 broadband antenna
amplifier is designed for a frequency range of 470-866
MHz and amplifies the received signal by 5 to 15 dB. The
antenna booster is fitted with four multi-color LEDs
that indicate amplification in 5 dB increments,
permitting the sound engineer or RF engineer to read the
respective setting even from a distance. Unlike
conventional antenna amplifiers, the AB 3700 will open a
second, low-attenuation (-6 dB) signal path in case of
power cuts. Further, two active receiver antennas are
available--the directional AD 3700 and the
omni-directional A 3700.
Did you know that you can print out handy forms
and reports right on line at PSS?
Fall, spring and summer
internships are available and ideal for students
interested in film and television production,
particularly in New York City.
Production Intern:
•
Greeting
permit applicants (producers, location managers and
other industry professionals) and supplying the
appropriate forms for their particular projects.
•
Providing customer service support such as fielding
questions and guiding applicants through the permitting
process.
•
Reviewing completed permit application forms before
obtaining final approval from a Permit Coordinator.
•
Providing general administrative
support (filing, faxing, phones, etc.).
Marketing Intern:
•
Conducting research for various marketing projects and
special events.
•
Researching and maintaining lists of contacts for
productions and essential production services.
•
Outreach to industry to promote MOFTB services.
•
Providing general administrative support (filing,
faxing, phones, etc.).
Commitment:
Interns must be able to work 2-3 days per week from
9:00am until 5:00pm for a minimum of 3 months and
maximum of 5 months. Internships are unpaid but can be
completed for school credit. For more information on the
Mayor’s Office of Film, Theatre and Broadcasting, please
visit
www.nyc.gov/film. If
you are interested in applying for an internship, please
send your cover letter, résumé, and availability to
internship@film.nyc.gov.
$Part time
assistant to Executive Producer – Are you high energy,
positive, a self-starter and yet low maintenance,
willing to learn and happy to follow direction to a
'T'?! Then this is the opportunity you have been waiting
for! A new production company is looking for you, a
PART-TIME, FLEXIBLE HOURS assistant to the Executive
Producer for June and July, possibly August. Two to
three days a week, 4 to 8 hrs a day. Midtown West
location; fluency in French, Spanish and Italian a HUGE
plus; totally computer literate; web-design skills a
plus; checkable references A MUST. Send resume straight
away, together with a cover letter and availability and
of course your contact info. And remember: those
flexible hours may well result in a full fledged job by
Fall! Please apply to
$Production
Coordinator/Administrator – Seeking production
coordinator for busy production company. Work closely
with producers and production managers on film,
television, broadcast, commercials. Full time, Temp to
Permanent position. Must be available to start
immediately. DETAILS: M-F 9-5; 10-12/hr Must be able to
travel to the Bronx. Ideal candidate will live near or
in the Bronx (Westchester, Yonkers, White Plains, CT) OR
have own car. Please apply via email to
resumes@harringtontalents.com
or via fax to
718.885.3338.
*Applicants – "Made
in NY" Production Assistant Training Program –
Applicants sought for new production careers training
program. Must be available full-time for 4 weeks of
training and committed to pursuing jobs as production
assistants for film and television. The program is free
of charge and no previous production experience is
necessary. To learn more send an email with your name
and contact information to
productioncareers@fifthave.org.
*Volunteers – The
5th Annual Big Apple Film Festival is seeking volunteers
for its screening and programming committee for the
annual event taking place November 19-22, 2008 at the
Tribeca Cinemas. For information on the festival visit
www.bigapplefilmfestival.com.
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