LECTROSONICS
CAPTURES POLAR BEAR TAGGING IN THE ARCTIC FRONTIER To study
their habits and migrations, scientists keep close tabs
on world's largest predator
Kaktovik, Alas...
With each day seemingly colder than the one before, a
combination of scientists and a BBC (British
Broadcasting Corporation) production crew recently set
out to document the effects of global warming on the
Arctic frontier. With a focus on the plight of the
region's Polar Bears as well as the melting permafrost,
the group worked from their base camp in this northern
village on the Beaufort Sea coast and traveled by
helicopter in search of the highly dangerous, yet
vulnerable animals. Capturing audio on a mission of this
nature is challenging enough, and in this harsh
environment--with sub-zero-degree temperatures and high
wind--the task becomes even more difficult. Wireless
microphones were a necessity and, to ensure production
quality worthy of the BBC, the mission critical
performance attributes of Lectrosonics wireless
technology were placed into service.
Scot Charles, owner/operator of Blue Charles Productions
of Seattle, WA, was contracted to provide location sound
for the documentary--named Planet Meltdown. Charles,
whose company also provides audio post production
services, is a veteran location sound engineer who, over
the years, has worked on numerous projects broadcast
over the PBS, NBC, and CBS networks. When queried about
his choice of wireless microphones for this project,
Charles offered his reasons for using Lectrosonics
equipment.
"The weather there was extremely cold and windy,"
explained Charles. "On a job like this, you need to know
your gear is going to work, because there's no second
takes. Mobility was also a big issue. My subjects
weren't actors and they needed to move about freely as
they medicated and tagged the bears. When you're working
on an 800 pound bear, the gear must absolutely work the
first time, because the bear isn't going to wait on you
while you make a change if something fails!"
For this project, Charles' arsenal of gear included
several Lectrosonics systems, including UCR205D
diversity UHF receivers, UM200B UHF beltpack
transmitters for on camera subjects, UM450 high power
miniature beltpack transmitters andUCR205D receivers for
the camera, and for the director and production crew, a
portable T1 multi-frequency IFB transmitter along with
R1a synthesized UHF beltpack IFB receivers.
"I carried eight systems for this project," notes
Charles, "though at any given time, I was actually
running just 4-5 of them. I chose Lectrosonics because
their gear is designed in such a way that it's easy to
use in the field. When you need to clip a transmitter
onto a subject quickly and know that it's going to stay
there until you're ready to remove it, you don't want to
be fiddling around with tape, little bags, and other
accessories. You want to be assured that transmitter is
going to stay put. Lectrosonics has obviously put a lot
of thought into this sort of thing. The metal cases are
rugged and the squeeze clips are easy to use and very
secure."
"I tapped into the radio communication system of the
helicopter so that I could capture the communication
between the scientists and the helicopter pilot during
flight," said Charles. "The interaction between the
pilot, scientists, and correspondent were mixed and fed
wirelessly to the camera using my Lectrosonics UM450s
and this communication was simultaneously captured as
discreet tracks on a Sound Devices 744T digital field
recorder."
Charles also often used a wireless boom mic to capture
ambient sounds in addition to the RF packs that he had
on the scientists and the correspondent. "The UM450s are
designed to output a hotter signal than my other
transmitters," says Charles, "so I used them for the RF
links to camera. I did redundant back-up on the 744T of
the camera tracks, as well as wild stuff such as 'bear
grunts' and ambient sound--and burned those tracks to
DVD for use later during audio post production."
Reflecting on the project as he prepared for his next
endeavor, Charles offered this closing thought. "Both
the BBC and I were very happy with the audio on that
project," said Charles. "It really helped capture the
essence of what we experienced up there. Global warming
is occurring at a much faster rate than most people ever
anticipated and we need to get a handle on the
situation. I believe this effort will help people
understand the urgency of the matter. Anything that each
and every one of us can do on a personal level to
contribute to the cause would be well served."
Rode Microphone
Distribution and Service Center in Carpinteria, Ca.
Monday, July 28, 2008, Rich Topham Jr. visits
with Rode employee Kyle Tefft at the
Rode Microphone Distribution and Service Center in
Carpinteria, California.
Item not in stock, please click
on button above to reserve yours now!
The NTG-3 is the result of years of development by
RODE engineers, providing the professional broadcast
and film industries with an affordable yet
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as RF-bias the RODE NTG-3 is almost completely
resistant to moisture, making it the only option
when recording in any demanding environments where
condensation is an issue. In addition to its robust
properties the NTG-3 combines very low weight
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can be stored away in the included weather resistant
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protection when traveling and storing the
microphone. --Designed to withstand adverse
environmental conditions. --50% less self-noise than
the majority of shotgun microphones. --True
condenser (externally RF biased). --Extremely low
handling noise. --High level of immunity to radio
frequency broadcast. --Superior broadcast sound
quality. --Weather resistant aluminum storage
cylinder included.
For over 60 years, the AES Convention has been the largest
gathering of audio professionals and enthusiasts on the
globe, attracting delegates from over 100 countries
worldwide.
The pro audio exhibition,
technical sessions, exhibitor and application seminars
are but a few of the assets that visitors and
participants benefit from.
Taught by
Professional Sound Services, our workshops cover the tools,
techniques, and procedures used in the professional
sound business. Students gain an appreciation of the
aesthetic aspects of sound recording, learn tricks for
creating an audio design and explore how to manipulate
room tone, dialogue, and effects tracks for a realistic
sound presence. Pre-production planning, boom and
wireless microphone operation, microphone planting,
tape-deck signal setup, and other techniques are also
addressed. In addition, students are introduced to the
latest DAT and analog systems, inter-format recording
for music videos and commercial production, time code
and other management tools for post production.
Rich Topham teaching professional sound techniques
at
the American University in Washington D.C.
School of Communication
Call us
today 212.586.1033 to find
out more about PSS's unlimited sound
knowledge they
can share with you!
NYC
Production is 'BOOMING'
REEL JOBS
NYC
PROJECTS IN
PRE-PRODUCTION/PRODUCTION:
City Island
Company: City Island Pictures Address: 36-32 34th
Street, 3rd Floor, LIC, NY 11106 Contact: Canella
Williams Scout: 7/1/08-7/20/08 Shoot: 7/21/08-8/29/08
Damages Company: Canterbury
Productions Inc. Address: Steiner 15 Washington Ave,
Brooklyn, NY 11205 Contact: G. Yeaton Scout:
6/6/08-11/1/08 Shoot: 6/24/08-11/1/08
Fringe Company: Warner
Brothers Television Address: Silvercup East 53-16 35th
St, LIC, NY 11101 Contact: Dhana Gilbert Scout:
6/19/08-11/25/08 Shoot: 6/26/08-11/25/08
Gossip Girl Company: Warner
Bros. Television Address: 42-22 22nd Street, 3rd Floor,
LIC, NY 11101 Contact: Steven Spencer Scout:
6/4/08-12/31/08 Shoot: 6/19/08-3/3/09
Last of the Ninth Company:
Mox Productions, Inc. Address: Kaufman Studios, 34-12
36th St, 3rd Fl, Astoria, NY 11106 Contact: Chris
Collins Scout: 6/25/08-9/5/08 Shoot: 8/11/08-9/5/08
Life on Mars Company: 20th
Century Fox Television Address: 34-12 36th St, 3rd
Floor, Astoria, NY 11106 Contact: Beverly Billin Scout:
6/25/08-12/31/08 Shoot: 7/29/08-12/31/08
Lipstick Jungle Company: NBC
Studios, Inc. Address: 203 Meserole Ave, 2nd Floor,
Brooklyn, NY 11222 Contact: Dawn Riley Scout:
6/9/08-11/19/08 Shoot: 6/23/08-11/19/08
Night at the Museum 2
Company: Museum US Prod/20th Century Fox Address: PO Box
900, Bldg. 59 Rm 104, Beverly Hills, CA 90213 Contact:
Dawn McDonald Scout: 4/15/08-6/30/08 Shoot:
8/13/08-8/22/08
Secrets Company: Secrets
Film LLC Address: 349 Broadway 3rd Fl. Rm. 8, NY, NY
10013 Contact: Alejandro Ferrer Shoot: 6/30/08-8/1/08
The Good Guy Company: The
Most Important Thing LLC Address: 118 W22nd St. 3rd
Floor, NY, NY 10011 Contact: Nelson Khoury Shoot:
7/13/08-8/18/08
The Greatest Company: The
Greatest Films, LLC Address: 18 West 21st Street, 9th
Floor, NY, NY 10010 Contact: Holly Pilch Shoot:
7/14/08-8/19/08
Ugly Betty Company: ABCS NYC, Inc. Address: 34-02
Starr Ave, NY, NY 11101 Contact: Hilary Kehoe Scout:
6/24/08-12/31/08 Shoot: 7/7/08-12/31/08
Watching the Detectives
Company: Kaufman Film and Television Address: 601 W.26th
St, Suite 1762, NY, NY 10001 Contact: Natasha Eng Scout:
5/9/08-6/9/08 Shoot: 5/12/08-9/15/08
Weighing only 2.2 oz without batteries, the UR1M
Transmitter is the most compact bodypack available
from Shure. Operating on the premium Shure UHF-R®
Wireless platform, the UR1M offers superior wireless
audio and an industry-leading tuning range - all in
a durable, ultra-compact and lightweight form
factor.
The UR1M circuit board is specially treated to
greatly enhance the sweat resistance and durability
of the device, allowing it to be worn close to the
skin. The miniature bodypack is available with a
choice of TQG or Lemo-3 connectors and selectable
alkaline, lithium primary, or NIMH battery curves
for accurate power metering.
PSS Low Price $2699.00.
Buy now and mention this newsletter and receive a
free Shure White or Black
Neoprene Pouch
for your UR1M Transmitter!
The
Soundman Sun Hat from Koala is a hat that
is designed for sound engineers. The hat features a wide
4" (10cm) brim, holes for earphones, a cotton neck
protector, and superior ventilation. It is an excellent
option for sound people working in outdoor locations, as
it can protect them from the harsh rays of Earth's
yellow sun.
Sony's range of professional headphones are engineered
for a combination of strength, comfort and practicality
and are used daily in broadcast and recording studios
worldwide. Designed to accurately monitor the wide
dynamic range and extended frequencies delivered by
modern digital audio equipment, the MDR-7500 series is
precision manufactured using the highest grade
materials.
Designed
for critical listening applications, the MDR-7509HD
headphone features
newly developed HD Driver units that deliver ultra-wide
dynamic range and incredible power handling
capabilities. With 3,000 mW power handling capacity and
80kHz ultra high frequency reproduction, the MDR-7509HD
model precisely reproduces every nuance recorded using
the latest generation of high-quality audio formats such
as DSD or high sampling linear PCM. The 50mm HD Driver
units utilize 360kJ/m3 high power neodymium magnets to
reproduce clear midrange. Equally important to sound
quality is wearing comfort. The MDR-7509HD headphone
features an Auranomic circumaural design - where the
driver units have been designed in accordance with the
angle of the ear, thereby helping to eliminate pressure
on the ear and to reproduce a natural, wide soundscape.
The Structure of the HD
Driver Unit
The newly-developed driver unit features a Reinforcement
Ring between the voice coil and the diaphragm. It
assists spreading ultra high frequency vibration
generated by voice coil to the HD diaphragm with a
coherent phase.
An
extremely high quality, unobtrusive reference headphone.
The lightweight MDR-7506 model has been engineered to be
comfortable to wear for extended periods, making it
ideal for use in broadcast and studio environments. A
40mm PET diaphragm and neodymium magnet provide
performance exceeding the requirements of digital
sources such as CD, MD and DAT.
Thanks
to an acoustic design that positions the sound field
very close to the ears, the MDR-7505 headphone makes
detailed listening possible, even in noisy environments.
An Auto-Swivel earpiece enables single sided monitoring.
The 40mm PET driver & neodymium magnet provide excellent
sound quality and extended frequency response. An
adjustable, padded headband offers durability and
comfort. Oxygen Free copper cable is used to preserve
signal quality.
A
cost effective, general purpose headphone. The
lightweight, closed design of the MDR-7502 model allows
long term use without listening fatigue. The neodymium
magnet (used in all Sony professional headphones) is
virtually five times more powerful than standard ferrite
magnets, delivering dynamic sound, high sensitivity and
deep bass response.
Did you know that you can print out handy forms
and reports right on line at PSS?
"The city of New York has helped American movies grow
up"
-- Pauline Kael
Scenes from the City: Filmmaking in New York 1966-2006
chronicles 40 years of film in New York, from the
establishment of the Mayor's Office to the present day.
Through photos, interviews and essays, the book reveals
how the city has given filmmakers the freedom to capture
the energy and unique personality of New York - creating
cinema's "city of dreams."
Published by Rizzoli, Produced with the Mayor's Office
of Film, Theatre and Broadcasting, Edited by James
Sanders. Featuring a conversation with the
director Martin Scorsese and a personal essay by
the writer / director Nora Ephron.
Available wherever fine books are sold.
MAYOR'S OFFICE OF FILM
INTERNSHIP OPPORTUNITIES
Fall, spring and summer
internships are available and ideal for students
interested in film and television production,
particularly in New York City.
Production Intern:
*
Greeting
permit applicants (producers, location managers and
other industry professionals) and supplying the
appropriate forms for their particular projects.
*
Providing customer service support such as fielding
questions and guiding applicants through the permitting
process.
*
Reviewing completed permit application forms before
obtaining final approval from a Permit Coordinator.
*
Providing general administrative
support (filing, faxing, phones, etc.).
Marketing Intern:
*
Conducting research for various marketing projects and
special events.
*
Researching and maintaining lists of contacts for
productions and essential production services.
*
Outreach to industry to promote MOFTB services.
*
Providing general administrative support (filing,
faxing, phones, etc.).
Commitment:
Interns must be able to work 2-3 days per week from
9:00am until 5:00pm for a minimum of 3 months and
maximum of 5 months. Internships are unpaid but can be
completed for school credit. For more information on the
Mayor's Office of Film, Theatre and Broadcasting, please
visit
www.nyc.gov/film. If
you are interested in applying for an internship, please
send your cover letter, resume, and availability to
internship@film.nyc.gov.
$Post Production Tech - Downtown
Community Television Center (DCTV) seeks a
highly-skilled full-time Post Production Tech to run its
comprehensive video and IT services and facilities for
low-budget independent digital filmmakers and its own
award-winning broadcast documentary teams. Send cover
letter, resume, and salary history to
jobs@dctvny.org
$Special Events Coordinator - Independent Film Week
Reports to: Producer,
Independent Film Week Full Time: Beginning of August to
End of September Independent Film Week, formerly known
as the IFP Market is a vital exhibition and discovery
forum for new films by promising talent before they hit
the festival circuit. It provides filmmakers with an
opportunity to present their projects to an
industry-only audience. The filmmaker is granted access
to industry leaders, screenings, targeted networking,
special events, seminars on the art and business of
filmmaking. Industry attendees include distributors,
television and home video acquisitions executives,
buyers, agents, development executives and festival
programmers from the US and abroad.
Job Description
Report to the Producer of IFP
Events, Special Event Coordinator oversees all Special
Events coordination and communication at Independent
Film Week. You are the primary contact for the venues
and it is your responsibility to manage those
relationships. You are also responsible for identifying
and training key volunteers for your department.
Responsibilities include:
--
Handle event related
RSVPs/invitations
--
Locating venues, handle
caterers and all details relating to parties and events
including sponsor signage, liquor and event set up and
break down. All venue contracts must be approved by the
Producer of IFP Events prior to signing.
--
Working closely with
Development Department, locating and contracting with
venues
--
Interact with a variety of
vendors, caterers, facility managers
--
Set volunteer schedule and
on-site department expectations
--
Responsible for turning in a
post-mortem department report
Required skills
--
Prior event planning and
coordination experience
--
Familiarity with nyc event
venues, and service venues.
--
A creative individual
who has keen eyes on details
--
Ability to plan and oversee
tasks without ignoring the details.
--
Calm yet energetic
disposition
--
Solid organizational
skills required
--
Experience in the
entertainment industry a plus
--
Must have excellent
interpersonal and communication skills
To apply for this position ASAP, please email resume and
cover letter, Attn: Jing He, Producer, Independent Film
Week @ jhe@ifp.org. On
the subject line, must indicate the position you are
interested in. No phone calls please.
*Applicants - "Made in NY" Production Assistant Training
Program - Applicants sought for new production careers
training program. Must be available full-time for 4
weeks of training and committed to pursuing jobs as
production assistants for film and television. The
program is free of charge and no previous production
experience is necessary. To learn more send an email
with your name and contact information to
productioncareers@fifthave.org.
*BoomGen Studios - Office Intern
for New York Office - Looking for passionate, curious,
driven interns who can take on multiple challenges. Each
intern will work on a number of different tasks that
require a variety of skill sets and know how. These
include working as a post production intern to assist in
setting up and organizing the office. We are a small
bicoastal company and are looking to expand our team.
Since this a startup opportunity interns will work hand
in hand with top level executives with a wealth of
industry experience. Please apply to
interns@boomgen.org.
*Internship - A new science
based television series to be aired on the Discovery
Network is looking for hard-working and dedicated
production and post production interns for the fall
semester. Duties may include logging tapes, fact
checking, viewing footage, archive research, the occasional
run, and learning the nitty gritty of how a production
is run. All applicants must currently be in school and
able to receive school credit. Position starts
immediately. Please send all resumes to
world.pictures@hotmail.com.
*Volunteers - Be at the front
and center of an international film festival! Volunteer
for IFP's INDEPENDENT FILM WEEK while we celebrate our
30TH Anniversary September 14th - 19th, 2008. To
Register go to
http://www.independentfilmweek.com/volunteer.html
Questions? Contact Rema Sayge -
Manager, Hospitality at
volunteer@ifp.org.
Register now!! Departments are filling up quickly! We
are looking for eager enthusiastic and reliable people
like YOU! Must be 18
Do you have equipment
that just sits in the corner of your room that is
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more, here at Professional Sound Services not only do we
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