Aphex Model 320A Compellor
The Aphex Model 320A delivers intelligent compressor action, leveling and peak limiting simultaneously. This intelligent, versatile and highly affordable processor can be used to solve audio level problems and improve audio signals in the broadcast studio, recording studio, tape duplication house, film dubbing studio and in live sound applications. Patented control circuits include analog computers that continuously analyze the input signal and vary the control characteristics to provide for virtually undetectable operation, regardless of the dynamics of the program.

Aphex Systems Model 720 / 722 Dominator II
The Aphex Systems Model 720 / 722 Dominator II is a stereo MultiBand peak limiter designed to fit a wide range of applications. Through the use of MultiBand techniques along with new proprietary circuits, the audibility of limiting action has been greatly reduced, especially when compared to conventional limiters. This means that greater limiting depth is possible, resulting in higher loudness with maintained audio quality. At virtually any limiting depth, the Dominator II is free of "hole punching", "dullness", and most other effects normally associated with limiters. As a peak overshoot protection limiter, the Dominator II is undetectable in line while it absolutely prevents peak levels from exceeding a user settable output level. In addition, the desired limiting effects of greater audio density and increased "punch are readily available with the Dominator II.The Model 722, for broadcast use, has the Pre and De-emphasis circuitry, while the Model 720 Does not.

Ashly CLX Series Compressor/Limiters

DBX 160SL Stereo Compressor/Limiter
Since its inception the 160S has become the mark for which other compressors reach. As the leader in VCA and compressor design and engineering, we at dbx are always seeking to improve our products and give you the best possible compression solutions. With the newly improved 160SL, we introduce the patent-pending AutoVelocity technology. With AutoVelocity it is now easier than ever to dial up the exact attack and release effect you are looking for, via the program-dependent, or non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material.

DBX 166XL Compressor/Limiter/Gate
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

DBX 1066 Dual Compressor Limiter Gate
After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate.

DBX 2231 Dual 31-Band Graphic Equalizer
It's amazing. One little button. It has so much effect. The Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous 30 Series EQ's. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQ's sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

DBX Zone Pro 640 & 641 Digital Zone Processor  NEW!!
The ZonePro products have been created to provide state-of-the-art signal processing for Background Music (BGM) applications, while maintaining a simple, secure and intuitive interface. From the powerful DSP modules to the multiple control interfaces, the ZonePro products provide all the processing and control necessary for BGM installations. Additionally, the GUI interface and Wizard function allows any contractor to quickly set up and optimize the unit to its full potential by streamlining the setup process and providing a menu based setup procedure that includes system setup and configuration.

Sabine Graphi-Q 3100 Series Graphic EQ  

Sabine FBX2020-Plus Dual Feedback Exterminator®
The industry standard in automatic feedback control: the FBX-2020Plus Dual Feedback Exterminator®, with 24 FBX filters (12 per channel), 20-bit digital resolution, andSabine's patented ClipGuard Adaptive Clip Level Control, which allows the FBX-2020 to accept input signals up to 27dBV without clipping, increasing the effective dynamic range to 105 dB. The FBX-2020Plus replaces the FBX-1802.  

Yamaha REV500 Reverbation unit with DSP3 Engine
Yamaha's design team has worked hard to make REV500 sound great but remain affordable. A large custom LCD display and dedicated rotary controls for the four most critical reverb parameters make REV500 extremely easy to use.REV500 features 20-bit AD/DA oversampling converters and the same DSP as that of the PROR3 for superb sonic performance. Unlike some pseudo stereo reverberators, REV500 is a true stereo reverb processor, with independent left and right channels. Reverb programs are categorized into group for selection ease. The 100 preset programs and 100 user programs are divided into four categories: Hall, Room, Plate and Special.REV500 has snare and rim shot samples built-in, so programs and edits can be auditioned directly from the front panel (AUDITION button). Balanced XLR and phone jack connections allow simple hookup to professional or semiprofessional gear. Input and output levels for each channel are independently switchable between -10dB and +4dB.A dual level control and two four-segment LED level meters simplify level setting for optimal performance.REV500 supports real-time parameter control via MIDI Control Changes and program selection via MIDI Program Changes. MIDI Bulk Dump is used for user program backup. An optional footswitch can be used to mute the reverb effect or select reverb programs. Selection order is determined by the MIDI Program Change Map.

Yamaha Q2031B Graphic Equalizer
Yamaha graphic equalizers incorporate active filters to provide minimum phase shift and smooth response at any boost or cut setting. The Q2031B offers 31 equalization bands at 1/3 octave intervals from 20Hz to 20kHz.Switchable EQ gain of +/- 6dB or +/-12dB provides with a broad range, or a narrow, more precise scope of control. The +/-12dB range offers wide-range control, essential for broad range tonal variation or feedback control. The +/-6dB range provides fine control within a narrower range, well suited for acoustic tuning and subtle response shaping. With synthesizers, signal processors, and other equipment offering stereo output as the rule, the Q2031B provides 2-channel versatility in single unit designs. The 2U-size Q2031B offers completely independent 2-channel control from input to output with separate 31 band equalization and variable high pass filters for each channel. A graphic equalizer's main function is to shape sound, without adding unwanted distortion or noise. The Q2031B provides quiet operation with less than 0.05% total harmonic distortion; noise is kept to a minimum with levels better than -96dB. Yamaha equalizers supply smooth, natural sound that is even compatible with digital sources. High pass filters are extremely useful in fighting against low-end boominess, AC hum, wind noise and preventing subsonic components from muddying the sound as well as wasting amplifier power. The Q2031B incorporates continuously variable high pass filters on both equalization channels. Providing 12dB of octave rolloff below the desired frequency, the filters can be independently adjusted with sliders, to any frequency between 20Hz to 200Hz.Signal input and output is provided by both balanced 1/4" phone jacks and balanced XLR jacks, all rated at +4dB. This gives an In/Out interface that can be easily connected to other types of equipment. Independent peak indicators, to warn of excessively high signal levels, light when the output signal reaches 3dB below clipping. An automatic muting circuit mutes the equalizer's output for approximately 3 seconds after the power is switched on, to prevent transients from damaging amplifiers and speaker systems. EQ ON/OFF switches provide easy EQ bypass and instant comparison between equalized and unequalized sound. LED indicators let you know when the EQ is on. All Yamaha graphic equalizers are built with rugged construction making them dependable for home or studio use, as well as on the road. The Q2031B can be mounted in any standard 19 inch rack. Use graphic qualization to fine tune any sound system to match the acoustics of a studio, concert hall, or any other sound environment. It can also be utilized to compensate for serious acoustic irregularities found in rooms that were not designed for music listening and keep properly designed studios or halls at their optimum sound level. In situations where restrictions make a feedback proof setup impossible, Yamaha graphic equalizers can be used to reduce the gain of problem frequencies, thus minimizing the possibility of sudden outburst of feedback that can ruin a performance. Yamaha graphic equalizers are also creative tools that can shape the tone of the instrument or voice to achieve a better blend in the mix. When added to reverb, EQ can electronically simulate a wide range of acoustic environments. Graphic equalization can effectively minimize tape hiss, stage rumble, wind noise, microphone popping, excessive sibilance and other sources of unwanted noise.