Sennheiser MKH 416-P48U3
Still considered as one of the industry standards in the production field. Known for it's durability and excellent directivity. All-around choice for film, radio, television and outdoor broadcasting. Requires 48 Volt phantom power.
•Supercardioid "Short" Shotgun
•Also available: MKH416-TU3 (12V)

Sennheiser MKH 60-P48
Perfect for broadcasting and spot recording, film and video productions and distance applications. Low inherent self-noise and extremely low distortion. Switchable pad, low frequency filter and high frequency boost. Requires 48 volt phantom power.
•Supercardioid "Short" Shotgun
•Frequency response 50Hz-20kHz

Sennheiser MKH 70-P48
Suited for recordings where long distances are involved. Frequency independent directivity prevents sound coloration from off-axis sound sources. Switchable pad, low frequency filter and high frequency boost. Requires 48 volt phantom power.
•Supercardioid Shotgun

Sennheiser MKH 50-P48
Exceptionally low inherent self-noise and virtually no distortion. Suited for applications where a high degree of feedback rejection (live recordings, sound effects) and lateral noise suppression (film productions, instruments) is required..
•Supercardioid Shotgun

Sennheiser MKE 300
The MKE 300 was designed especially for use on film and video cameras/camcorders. It is fitted into the camera's flashmount and by virtue of its supercardioid/lobar pick-up pattern picks up the sound coming from the direction the camera is pointing.
•High directivity
•Sprung-mounted capsule suppresses handling noise
•Integrated power supply
•Flash-mount adapter
•Quality sound with your picture.

Sennheiser K6/ME66 Shotgun Microphone
The ME 66 is a short gun microphone capsule designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodized, scratch-resistant finish.
•Super-cardioid/lobar pick-up pattern
•Highly directional
•Low inherent self-noise
•High sensitivity
•Frequency response 40 - 20,000 Hz +/- 2.5 dB

Sennheiser K6/ME7 Long Shotgun Microphone
The ME 67 is a long gun microphone capsule designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodized, scratch-resistant finish.
•Lobar pick-up pattern (long gun)
•Highly directional
•Low inherent self-noise
•High sensitivity factor
•Frequency response 40 - 20,000 Hz +/- 2.5 dB

Sanken CS-1
Though it's reportedly creating a buzz among Hollywood sound guys, this short shotgun mic is certainly suitable for video work. Houses Sanken's original square condenser capsule in a more compact package. Features include sharp directivity that delivers targeted sound while eliminating background noise, flat frequency response beyond 20kHz., 7.08in. length, weighs only 3.5oz., making it suitable not only for camera mounting, but for maneuvering atop boom poles.

Sanken CS-3E
Three directional capsules are arranged in a front-back array to combine line microphone performance and second-order pressure gradient response in a single system. Picks up the targeted frontal sound sorce with exceptional clarity over a wide frequency range. Virtually eliminates proximity effect while maintaining sharp directivity.
•Supercardioid
•Frequency response 60Hz-20kHz

Neumann KMR81i
Specifically designed for ENG and video applications. Extreme low self-noise and high output level. Features 10dB attenuation switch and a 200Hz high-pass filter. Maximum sound pressure level with preattenuation is 138dB. Total dynamic range is 126dB.
•Short Shotgun
•Frequency response 20Hz-20kHz

Neumann KMR82i
Most often used for stage productions because of it's very directional characteristics. Features a two position slide switch allowing you to select the best setting for balanced upper frequencies. Maximum sound pressure level is 128dB. Total dynamic range is 116dB.
•Long Shotgun
•Frequency response 20Hz-20kHz

Audio Technica AT4073a
Specially designed for broadcast, film/TV, professional recording and theater sound reinforcement. Maximum rejection of sound from both the sides and rear of the microphone through the use of a proprietary interference tube. Selection of a 150Hz hi-pass filter attenuates unwanted low-frequency ambient noise. Phantom power is required.
•Line + Gradient
•Frequency response 30Hz-20kHz

Audio Technica AT815B
Designed to reduce ambient noise and extend reach under difficult acoustic conditions. Sound rejection for the sides and rear of the microphone provided by it's narrow acceptance angle. Features a recessed switch that permits low-end roll-off for reduction of low frequency ambient background noise. Powered by a single internal 1.5V AA cell or by an external phantom power source.
•Line + Gradient Condenser
•Frequency response 30Hz-20kHz

Audio Technica AT835B
Ideal for broadcast, film / video, outdoor documentary and other specialized applications. Constructed with a slightly wider acceptance angle that easily follows fast-moving action. Includes a low-frequency roll-off switch. Powered by a single internal 1.5V AA cell or by an external phantom power source.
•Line + Gradient Condenser
•Frequency response 40Hz-20kHz

Sony ECM 670
Great for Studio, Inspection/Manufacturing, News Acquisition. The Sony ECM 670 is compact and lightweight. Can run off AA 1.5V battery for 3,000H, Ext. power DC 12-48.
•Frequency response 70 - 16,000Hz
•Super-cardioid

Sony ECM 672
Great for Studio and News Acquisition. Super-cardioid directional characteristics, rejecting indirect sound. 2-way powering-internal battery (3,000 hours of continuous operation) or external power supply. This mic features a 2-position low-cut filter, is suitable for mounting on Sony Betacam and DXC series cameras.
•Frequency response 50 - 16,000 Hz
•Super-cardioid