DENON DN-T625
CD Player/Cassette Recorder • CD Player --> • CD-R/RW Playback • Instant start / Cue to music • Pitch control ±12% in 0.1 steps • Single/Cont. play modes • Finish modes; Stop, Next, Recue • Next Tr Reserve mode • 99-track program play • Random play mode • Direct track entry (11 keys) • 1/All track repeat • 10 sec Shockproof memory • Power on play • Digital output; coaxial SPDIF • Unbalanced, Balanced & Balanced Mono outputs • Adjustable user presets  • Optional AMC-22 lens cleaner • Cassette Deck --> • Quick Auto Reverse • Pitch control ±12% • Music search • Dolby B/C • Single or Selectable playback cycles • Duplicates CD to cassette internally • Memory rewind • Independent CD & Tape display information • Unbalanced, Balanced, & Balanced Mono output • External Control --> • AMX & Crestron compatible • RS-232C • Stereo mini hard wire control compatible with Phillips RC5 control • Cascade & External Sync  • Optional "Wristwatch" remote controller RC-41 • Optional hand held remote controller RC-U620 • Optional wired remote RC-620

MARANTZ PMD201 Portable Tape Recorder
When a portable recorder's performance and reliability are critical, the leading choice among professionals for more than two decades has been Marantz Professional. Combining superior quality with professional features, the PMD201 is widely used for demanding applications such as radio broadcasting, court reporting, meeting recording, and law enforcement.

FEATURES:
2 heads, Half speed record and play, Auto and manual record level, Limiter, 20% pitch control, Ambient noise cancellation, Built in microphone, Built in monitor speaker, VU meter, RCA line in/out, 1/8" mic in, 3-position mic attenuation (0, -10, -20dB), Telephone jack, Remote control IN (3/32"), External speaker out.

NAGRA IV-S Portable Stereo Recorder
Portable stereo analogue recorder using 6.35 mm (1/4 inch) audio tape. The NAGRA IV-S is a portable stereo 6.35-mm (¼ inch) analogue audio tape recorder designed for high quality musical recording and for cinema and television applications.
It has two 2-mm audio tracks and a central track for pilot or time code uses depending on the machine type.
The NAGRA IV-S can be delivered in two different versions, which are NQS-L (pilot), and NQS-TC (Time code).
Each version has three speeds: 38, 19 and 9.5 cm/s (15, 7 ½, 3 ¾ ips), with NAB or CCIR and NAGRAMASTER (at 38 cm/s) equalization standards.
The two audio channels can be connected to two mic. preamplifiers, switchable to dynamic, T (+12V) or P (+48V) condenser with phase reversal or to two current line inputs. The two level potentiometers can be mechanically ganged for easier adjustment. The audio-recorded signals are available on two line outputs.
The NAGRA IV-S contains separate recording and playback heads for confidence playback, a built-in monitoring speaker switchable to source or tape, provision for connection to an external noise reduction system, a reference generator, a modulometer, an alarm indicator for power supply and tape transport.
It also has a patented anti-distortion circuit reducing medium distortion and high-pass filters to attenuate low frequencies on resonance during recording or playback and switchable automatic level control and limiter.
The machine can be fitted with either the NAGRASYNC pilot option or the SMPTE/EBU 80 bits time code option, and may also be powered from either an external supply (ATN-4) or internal batteries.

NAGRA SN Mono Tape Recorder
Sub-miniature professional mono, tape recorder with full or half-track recording options using cassette width analogue tape. The NAGRA SN recorder, in spite of its small size, produces exceptionally high quality recordings. It is much appreciated by reporters, who can record broadcast quality tapes and, at the same time, be more mobile.

OLYMPUS Pearlcorder L400
As one of the world's smallest and lightest Microcassette recorders, the Pearlcorder L400 is highly portable and can be taken virtually anywhere you want, fitting easily in your hand or comfortably in a shirt pocket. When you're ready for the Microcassette recorder that can handle any business application, you're ready for the ultra compact Pearlcorder L400. Feather-touch, IC-logic controls and remote control capability make business as usual out of everything from dictating letters and memos to recording meetings, lectures and conferences.

Specifications: 2.9 in. (L) x 0.8 in. (H) x 2.0 in. (W) / 73 mm (L) x 20 mm (H) x 52 mm (W) 3.2 oz.

OLYMPUS Pearlcorder S950
Helping to make recording really easy, the Pearlcorder S950 includes variable control voice actuator for hands-free recording. The S950 begins recording when it senses the sound of a voice, and automatically stops recording when the voice does. The Pearlcorder S950 is the voice-activated Microcassette recorder with Auto Date/Time Memory for convenient recall of recordings. Its timesaving features provide up-to-the-minute efficiency for recording everything from memos to meetings. And its comfortable design allows easy, one-handed access to controls.

SUPERSCOPE PSD220 Portable CD Player
The PSD220 portable CD Player is rugged and reliable, providing great sound output and these specialized music practice features: Tempo Control – With just the touch of a button you can increase the tempo of any CD up to 50% or slow down tempo by 33% (in 50 increments without changing key.) A-B Practice Loop – Select a segment of music to continually repeat.  Concentric volume controls to isolate the right or left channels. Ideal for "split track" recordings. 3 band EQ. Will play CD-R and CD-RW discs.
You can listen to music via the headphone jack, the built-in mono speaker, or by connecting the PSD220 to a stereo sound system or powered speakers. 
The PSD220 is a good choice for acoustic musicians, or anyone who just wants to slow down or speed up music without changing key.

TASCAM 102mkII Cassette Deck
Best value mixdown cassette deck for the serious musician. This precision-built, rack-mountable cassette deck sounds great due to its extremely wide frequency response, Dolby noise reduction and HX Pro sound technology. A legendary TASCAM rugged transport means years of trouble-free operation.

TASCAM 112mkII Production Cassette Deck
This is the classic "no frills" production workhorse. For musicians and production studios, this two-head cost-effective cassette deck is ideal for mastering and mixdown. The direct-drive transport provides optimal tape speed stability, which keeps the wow and flutter problems found on other cassette decks to a minimum. The gear and clutch input controls make level adjustments easy by allowing you to lock the controls together, or use independently. The 112mkII also features a parallel port for external control and an optional balanced connector kit, making it flexible enough to integrate into any production studio.

Sound Devices 744T Digital Audio
Recorder with Time Code

The 744T: Portable, Four-Track
Audio Recorder with Time Code

The 744T is a powerful four-track file-based digital audio recorder. The super-compact 744T records and plays back audio to and from its internal hard drive or Compact Flash medium, making field recording simple and fast. It writes and reads uncompressed PCM audio at 16 or 24 bits with sample rates between 32 kHz and 192 kHz. Compressed (MP3) audio playback and recording from 64 kb/s to 320 kb/s are also supported. The time code implementation makes the 744T ready for any recording job—from over-the-shoulder to cart-based production.
The 744T implements a no-compromise audio path that includes Sound Devices’ next generation microphone preamplifiers. Designed specifically for high bandwidth, high bit rate digital recording, these preamps set a new standard for frequency response linearity, low distortion performance, and low noise.
No other recorder on the market matches its size or feature set. In addition, its learning curve is quite short—powerful does not mean complicated. While the 744T is a very capable recorder by itself, it truly excels when used in conjunction with an outboard audio mixer such as Sound Devices’ own 442 or 302.
Its two recording media (hard drive and Compact Flash) are highly reliable, industry standard, and easily obtainable. The removable, rechargeable battery is a standard Sony-compatible Li-ion camcorder cell. The 744T interconnects with Windows and Mac OS computers for convenient data transfer and backup.

Sound Devices 722 Digital Audio Recorder

Portable, High-Resolution
Audio Recorder

The two-channel 722 is a powerful file-based digital audio recorder. The super-compact device records and plays back audio to and from its internal hard drive or Compact Flash medium, making field recording simple and fast. It writes and reads uncompressed PCM audio at 16 or 24 bits with sample rates between 32 kHz and 192 kHz. Compressed (MP3) audio playback and recording from 64 kb/s to 320 kb/s are also supported.
The 722 implements a no-compromise audio path that includes Sound Devices’ next generation microphone preamplifiers. Designed specifically for high bandwidth, high bit rate digital recording, these preamps set a new standard for frequency response linearity, low distortion performance, and low noise.
No other recorder on the market matches its size or feature set. In addition, its learning curve is quite short—powerful does not mean complicated. While the 722 is a very capable recorder by itself, it truly excels when used in conjunction with an outboard audio mixer such as Sound Devices’ own 442 or 302.
Its two recording media (hard drive and Compact Flash) are highly reliable, industry standard, and easily obtainable. The removable, rechargeable battery is a standard Sony-compatible Li-ion camcorder cell. The 722 interconnects with Windows and Mac OS computers for convenient data transfer and backup.

Sound Devices 702T Portable
Digital Recorder with Time Code

Portable, High-Resolution
Audio Recorder with Time Code

The two-channel 702T is a powerful two-track file-based digital audio recorder with time code. The super-compact device records and plays back to convenient, removable Compact Flash cards, making field recording simple and fast. It writes and reads uncompressed PCM audio at 16 or 24 bits with sample rates between 32 kHz and 192 kHz. Compressed (MP3) audio playback is also supported. The time code implementation makes the 702T perfect for any dual-system video or film production application.
The 702T implements a no-compromise audio path that includes Sound Devices’ next generation microphone preamplifiers. Designed specifically for high bandwidth, high bit rate digital recording, these preamps set a new standard for frequency response linearity, low distortion performance, and low noise.
No other recorder on the market matches its size or feature set. In addition, its learning curve is quite short—powerful does not mean complicated. While the 702T is a very capable recorder by itself, it truly excels when used in conjunction with an outboard audio mixer such as Sound Devices’ own 442 or 302.
Its Compact Flash storage is a highly-reliable industry standard. The removable, rechargeable battery is the popular Sony-compatible Li-ion camcorder cell. The 702T interconnects with Windows and Mac OS computers for convenient data transfer and backup.

Sound Devices 702 Portable
Digital Audio Recorder
The two-channel 702 is a powerful file-based digital audio recorder. The compact device records and plays back audio to cost-effective, removable Compact Flash cards, making field recording simple and fast. It writes and reads uncompressed PCM audio at 16 or 24 bits with sampling rates between 32 kHz and 192 kHz. Compressed (MP3) audio playback is also supported.
The 702 implements a no-compromise audio path that includes Sound Devices’ next generation microphone preamplifiers. Designed specifically for high bandwidth, high bit rate digital recording, these preamps set a new standard for frequency response linearity, low distortion performance, and low noise.
No other recorder on the market matches its size or feature set. In addition, its learning curve is quite short—powerful does not mean complicated. While the 702 is a very capable recorder by itself, it truly excels when used in conjunction with an outboard audio mixer such as Sound Devices’ own 442 or 302.
Its Compact Flash storage is a highly-reliable industry standard. The removable, rechargeable battery is a standard Sony-compatible Li-ion camcorder cell. The Compact Flash card appears as a removable storage devices when connected via the FireWire port to Windows or Mac OS computers.

360 Systems DigiCart/II Plus Recorder
DigiCart/II Plus is a full-featured hard disk recorder designed to replace analog cart machines in television master control, radio, and teleproduction applications. It offers analog and digital I/O, 16 bit linear or Dolby AC-2 compressed audio storage (user selectable), plus editing and playlisting capabilities. It also provides many remote control options including a production remote, a play-only remote, a keyboard for titling and remote control, and both GPI and serial interfaces.
DigiCart/II Plus is offered in three different configurations, each offering a drive for removable Zip disks and a high-capacity internal hard disk.

Specifications: 5.19" (130 mm) x 8.50" (213mm) x 17.13" (428mm) 15 lb.

360 Systems Short/cut 2000
360 Systems' new Short/cut 2000 delivers next-generation speed and power to audio production. Since 1996, Short/cut Editors have been an industry standard for 2-track editing in news, production, and on-air applications. Now, Short/cut 2000 expands the art with unprecedented speed, new editing features, and the same ease of use in a compact, portable package.
Short/cut2000 is powerful enough for serious production work, yet it offers a learning curve so short that creative staff will completely master it in minutes. You'll get superior audio quality, intuitive cut-and-paste editing with a waveform display, hard disk storage, optional removable media, and even file interchange with PCs, Macs, and popular workstations.
Whether you're replacing out-dated reel-to-reel machines, or building a state-of-the-art studio, the new Short/cut 2000 delivers more speed and more features, all at a most  attractive price. 

Specifications: 3.7" x 17.25" x 12.8" (94mm x 438mm x 325mm ) 12.5 lb.

360 Systems Instant Replay
360 Systems' Instant Replay places 1,000 audio clips at your fingertips! Music, sound effects, or spoken word. Get instant access to an entire audio library of your own creation.
Our new "Dash-E" version adds audio editing tools, so it's easy to isolate sound effects, or make continuous loops.
Pack it up for the road, or install it in the studio or control room. Thousands of entertainers use Instant Replay each day to bring value to their shows.

Specifications: 5" x 15" x 9" (127 mm x 381 mm x 229 mm ) 9.5 lbs.

AATON Cantar-X
Every detail of Cantar has been honed to perfection to make the task of a location-recordist as easy as possible, while providing the utmost flexibility.
The five mics, four lines analog rotary faders as well as the six linear track faders are positioned on the upper surface of the machine in such a way that operator's hand rests on them in a perfectly natural position, allowing convenient control of the knobs, whether the recorder is on the shoulder strap or on the cart. With its twelve-degree slanted upper surface, Cantar is as easy to use as a studio mixing console.
Another practical consideration: the faders as well as the limiter and filter actuators still are at operator's fingertips when Cantar is inside a carrying pouch holding four RF mike receivers.
Cantar's three circular read-outs and alphanumeric panel constitute the largest control surface of any known portable recorder; all fundamental operational parameters are plainly visible at a glance. The display panel can be swiveled to provide the optimal viewing angle for the operator.

Specifications: 230 x 310 x 80 mm (9 x 12 x 3.2") 7.5 lbs.

AATON Cantar-X Accessories

The Cantar built-in CD/DVD+R burner is not a quickly added afterthought on top of an existing design. It is built within the recorder structure, nested behind the swivelling front panel.
Well protected against rain and dust winds in which Aaton machines -recorders and cameras- must survive, it nevertheless remains instantly interchangeable,(like on a laptop) if something goes wrong with the burner mechanics.
No single media today can match the pervasiveness of CD-Rs / DVDs as a means to carry audio files into any computer on earth. They are so inexpensive that there is no reason not to burn a two track mixdown for the telecine transfer and the Avid or FCP room at the end of the day, and some others for the final mix suite later.

FireWire. Truly hot-plug and bi-directional, FireWire allows Cantar to record audio files simultaneously on the internal hard-drive and on an external disk. No more time wasted in post-mirroring. Through FireWire also, Cantar can burn the day's two-track mixdown onto standalone CDR/DVD+R.
With the bi-directionality of FireWire, the internal hard disk is directly accessible from a Mac/PC desktop to install software updates, to make audio file copies for transmission to a server, to load pre-recorded sounds to be played back during recording - a quite useful feature for music videos and natural looking phone conversations.

Bluetooth. This RF system allows a PDA to remote-control all Cantar functions, displays and configurations. Scene & Take ID plus various metadata can be entered from the PDA. Bluetooth can also be used for wireless connection to an external eight track console or a simple keyboard.
Given the software controlled structure of Cantar, the PDA is a very convenient way for sound mixers to store all their custom configurations so as to recall them at any time, even on another machine. Rent a Cantar, push 'Config Upload,' and you are in front of a machine which is exactly configured like yours.

DENON DN-C680
CD Player • Optional ACD-25FSC sampling rate converter outputs 32, 44.1 or 48 kHz • Instant start; less than 0.01 sec • Auto cue to music • Plays CDR with or without TOC • Rotary track selector knob • Jog/Shuttle wheel • 25 track program play and store up to 3 discs in non-volatile memory • A-B repeat • Single/continuous play • End of track alert (EOM) • End monitor; previews the end of a track • Finish mode; Stop, Next or Recue • Pitch control ±9.9% • Time elapse/remain segment bar and numeric display • Index search • 75 frames per sec. for precise cueing • Headphone jack w/volume control • Sleep function; prolongs the life of internal parts • User adjustable presets • Stereo or mono output • RCA stereo output • AES-EBU output • Balanced XLR outputs (adjustable) • Coaxial digital output (SPDIF) • RS-232C/422A serial port • Parallel remote port; 25 pin D-sub • Optional wired remote RC-680 • Optional AMC-22 lens cleaner • 3U rack spaces

FOSTEX PD-4 Digital Audio Tape Recorder
Professional Four Head Timecode Digital Audio Tape Recorder Combined with a High Quality Three Channel Mixer in One Portable Package. The Fostex PD-4 Ver.2M is the latest revision of the most popular timecode enabled four head portable DAT machine used in the making of award-winning movies and television work throughout the world. Bringing together the highest audio quality and full-function capability in a rugged but lightweight package, the PD-4 Ver.2M meets all the requirements for the demanding professional on location.
Features such as confidence monitoring via the four head transport, full timecode recording including JAM sync and the on-board three channel mixer with mic attenuation, phantom power, low-cut filter and a limiter on each channel are now augmented by the addition of a headphone matrix. Powered through on-board NP-1B type batteries or via an optional external AC adaptor, the PD-4 Ver.2M weighs in at less than 3.2Kg meaning port-ability doesn't have to be sacrificed for functionality and is flexible enough to fit into all professional movie making and TV production environments.

FOSTEX PD-6 DVD Location Recorder
When Fostex embarked on the process to design a successor to the industry standard PD-2 and PD-4 portable timecode DAT machines, they knew they had set themselves no easy task. Having invented both timecode and portable timecode DAT, Fostex location recorders had become, and still are, the most widely used and respected DAT machines for film & television sound production around the world, helping their users earn respect, gain work and to win many coveted international awards.
That’s why they knew it was important to follow the design and philosophy processes that had made their previous machines the first choice of sound mixing professionals. Namely, to prove the technology in a stationary, stand-alone format and obtain comprehensive & wide-ranging user-feedback prior to taking it out into the field.
Every aspect was looked at and offered up for evaluation; the recording media, the functionality of the mixer, the interfacing connections, the timecode implementation and, of course, the user interface.

FOSTEX DV-40 Master Recorder
The Fostex DV40 Master Recorder is designed to record and playback audio data directly onto a DVD-RAM disc. The unit offers high reliability recording by employing a Verify/Write mode, which examines all recording data, all the time, while in the record mode.
The DV40 employs the UDF file format mode that establishes file compatibility between Computer based Work Stations. The user can choose either SDII or BWF (.WAV) as the desired audio file format and also choose either 24 bit or 16 bit resolution.
Recording track modes can be selected from MONO, STEREO, or MULTI (4track). Various sampling frequencies can be chosen: 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz*.
The DV40 offers internal file conversion between 4track or STEREO files and Multitrack mono files. File editing modes offer non-destructive edit functions such as Copy, Paste, Insert, Cut and Erase.
You can choose between 2 recording modes: “New file” and “Insert”. The recorded data in the Insert mode offers Time Jump, UNDO functions supported by time and date. The other mode available is Tape mode (destructive mode), which offers data security for accidental power cut, i.e., previous recording is secured up to the point where power loss occurs. For back up and archiving a Disc duplicate mode is available by installing an optional HD, while Audio file duplicate modes are possible on board (no hard drive necessary.)

FOSTEX D-15 Professional Timecode DAT
Based on technology first seen in the market leading D-10, the D-15 features 8 Mbit of DRAM on-card to provide instant start, ‘RAM scrub’ and ‘RAM repeat’ with 1 ms accuracy for precision cueing with advanced jog/shuttle techniques.
In addition, this facility has been utilized to provide the simulated ‘vari-speed’ required to enable a linear DAT transport to perform the chase synchronisation offered when the optional 8335 timecode expansion card is fitted.
The 8335 card enables the D-15 to playback and assemble record externally generated timecode, as with the D-10, which is essential for, say, ‘spinning in’ timecoded audio program material to a digital audio editing system. Furthermore, the 8335 card brings the D-15's new chase mode into its own by synchronising to external LTC when playing back with the option of referencing to external Word, Video and AES/EBU.
Fostex's reputation for ergonomic design is enhanced in the D-15's clear and concise front panel which features a large multi-function fluorescent display with 7 modes (5 different time scales plus ‘non-hold’ and ‘permanent’) of peak metering, soft touch illuminated transport keys, a large jog/shuttle wheel and the logical layout other buttons and switches.
The D-15 is equipped with a full compliment of all standard audio interfaces such as balanced +4dBu XLR I/Os and -10dBV RCA connectors as well as standards not often implemented on a machine in this class. AES/EBU and optical S/P-DIF are provided along with a 37-pin parallel interface for connection to cabled remote controls. Also a General Purpose Interface (GPI) is present - useful for remote and fader starts plus S-ID location - while the optional 8336 RS-422 card allows control of the machine via 9-pin protocol.
With such a comprehensive feature-set from a company with an unrivalled DAT pedigree, the D-15 is the perfect solutions machine.

HHB Portadrive PDR 2000 Recorder
Location audio acquisition in the 21st Century is about much more than just 2-channel recording. The modern sound recordist must be able to capture pristine sound from multiple microphone sources onto a durable, high-capacity medium, and produce those recordings on demand in a post-friendly format. And with a director's mix to organise and daily rushes to provide, the demands placed upon the sound recordist have never been greater.
That's why location sound specialists HHB developed the PORTADRIVE PDR 2000, a 'next generation' location recorder which combines 24-bit/96kHz multichannel recording on a rugged, removable HDD with simultaneous recording to an external device such as the optional PDRDVDBU DVD-RAM back-up unit, and all the features and facilities required to enable the sound recordist to work efficiently and effectively in even the most demanding conditions. And because audio is recorded in either AES31-3 or Pro Tools V5 session formats (using BWF or SDII audio files respectively) it's easy to transfer recorded data directly to Mac or PC workstations.

Specifications: 332 x 106 x 224mm / 13.1 x 4.2 x 8.8 inches 11.6 lbs

HHB Portadisc™ MDP500 Recorder
The HHB PORTADISC™ MDP500 is a compact portable MiniDisc recorder, designed and engineered without compromise to handle the most demanding field recording applications. Built on a rigid steel chassis and based around a rugged, professional MD drive, the PORTADISC™ combines advanced sound quality with a full complement of professional features, comprehensive connectivity and flexible powering options to create the world's most advanced professional portable MiniDisc recorder.
And like its legendary predecessor, the HHB PORTADAT™, the new PORTADISC™ has been developed in close consultation with leading sound recordists and ENG professionals, ensuring a recorder that handles and operates impeccably in the field.

Specifications: 225 x 57 x 180mm / 10 x 2.2 x 7.1 ins 4 lbs. 7 oz.

MARANTZ PMD670 Solid State Recorder
Like its predecessors, the PMD670 is a rugged and reliable portable recorder specifically designed for applications like meeting recording, voice dictation, high quality sound gathering and everything in between. The PMD670 includes a built-in microphone, built-in speaker, and professional mic/line inputs and outputs. You can record many hours of quality stereo or mono audio on a single CF (compact flash) memory card or Microdrive. Transfer audio files into a computer for editing or distribution by simply placing a recorded card into your computer PC card drive or use the built in computer I/O port for a no hassle approach to file transfer. The PMD670 is also fully compatible with Marantz Professional's PMDEdit editing and file management software.

MARANTZ Professional CDR300 CD Recorder
Revolutionary for its portable design, built-in features, and performance, the Marantz Professional CDR300 is ideal for direct to CD-R/RW live recording applications. Simply place the unit on a tabletop and plug in quality microphones to the stereo XLR or ¼” mic/line inputs with 48V phantom power. Or use the internal microphone. Record levels can be adjusted automatically or manually. This fully professional CD recorder uses blank computer or music CD-R or CD-RW media. A speaker for playback is built-in. You can also record you own CDs from audio sources such as CDs, LPs, cassettes, or DAT.

NAGRA V  Digital Audio Recorder
Portable battery powered two-channel digital audio recorder using removable Hard Disk drive. The NAGRA V is designed as the successor to the NAGRA IVS-TC and a replacement for R-DAT. NAGRA V is a light, compact and reliable recorder manufactured to suit on-the-shoulder / on-location engineer needs. Its high quality also makes it a good alternative for music recordings.
The removable 2.5” hard drive allows more than 20 hours of 48 kHz 24-bit recording. The hard drive drawer can simply be connected to a PC or a Mac using: USB2 / PCMCIA / Firewire adapter. They also can be plugged into a 3.5” IDE bay. Transfer is made easy, fast and at an affordable price.
BWF is a Wav file that includes information such as Time Code. BWF is normalized by the EBU (European Broadcast Union) and recommended by the AES31 (AES 31-3-1999).
While BWF is recognized by both PC and Mac as a standard WAV a professional software and workstation will see the TC related information (compatible with: AATON Indaw ver 6 under NT, Digidesign Protools since version 5, Merging Technologies Pyramix, Fairlight MFX and QDC, Sadie).
The TC option offers both a synchronizer and a generator. Fully SMPTE compatible, it includes all current frame rates. The TC card can be installed at any time by a Nagra certified technician.

Specifications: 290 x 220 x 115mm (11.4 x 8.6 x 4.5”) 6 lb.

NAGRA ARES-C Digital Recorder
Portable battery powered two-channel solid digital recorder/editor, using PCMCIA Flash memory card technology. The ARES-C is a 16 bit solid state audio recorder/player using PC FLASH Memory Cards (PCMCIA) as its storage medium.
The information is stored using the MPEG-2 (Mono or Stereo), G722, u-law, A-law compression standards and can be optionally equipped with either an on-board ISDN CODEC allowing direct connection to the ISDN network, or a fully featured SMPTE/EBU time code synchronizer. Recorded material can be internally edited and copied between cards with an easy to use, non-destructive editor which is a standard feature. Weighing less than 6 1/2 lbs., the ARES-C packs a powerhouse of features into a small package. With no moving parts, this solid state recorder is impervious to shock and vibration. And with all these advantages, it is still a NAGRA with proven reliability even in the harshest environmental extremes.
The front panel, metallic chassis, and features of the ARES-C were all designed using the experience of previous NAGRA recorders. This renders the ARES-C easy to operate and assures performance in temperatures from -5 degrees to +140 degrees Fahrenheit. It is powered by standard "D" cells, available worldwide, or rechargeable Ni-Cd sticks. Continuous operation is assured with the available AC charger, Still, 8 hours of operation can be obtained from batteries alone. Equipped with switchable phantom powered microphone pre-amplifiers, built-in monitoring speaker and headphone amplifier and programmable Automatic Level Control, the ARES-C bears a resemblance to its NAGRA predecessors.
Two auxiliary inputs, which can be mixed together with microphone inputs, as well as an input for signals treated with external noise reduction are available through the EXTENSION connection. Also available on this connector is the input for external clock sources. Two balanced line level outputs, one AES digital output and even a 600 ohm transformer coupled bi-directional telephone connection are standard on the ARES-C.
Designed as an over-the-shoulder recorder, all control and monitoring of input and output levels, operating modes and even menu function programming is available from the front panel. A set of software menus allows a simple configuration of the machine for all modes of operation providing flexibility to adapt to any situation. Four templates are available to store and instantly recall setups making field operation simple for even occasional users.

SONIFLEX COURIER Portable Recorder
Already in use around the world by major broadcasters, freelance journalists and sound recordists, Courier is one of the most versatile portable recorders on the market. Widely recognised as a groundbreaking product, Courier has been awarded the Millennium Product accolade by the British Design Council in recognition of the advanced nature of its technological innovation and for the imaginative techniques used in its design and development.
The Courier has been designed with total ease of use in mind with careful thought going into the layout of the controls. For sheer flexibility and adaptability the Courier is hard to beat and it’s easy to see why:

• At only 1.5kg including media and battery it won't weigh you down.

• Records in most broadcast formats, including linear .wav and mpeg layer 2, providing instant compatibility with most studio editing and broadcast systems.

• Uses PCMCIA hard disks or flashcards.

• No need for audio dubbing - plug the PCMCIA card into your PC and play out directly.

• Built-in, sophisticated, easy to use editing functions.

• No need to race back to the studio if you’re in a remote location. To file reports, connect Courier to a modem or directly to your GSM mobile phone.

• Carry out live reports with the optional ISDN version or with the CO-TBU telephone balance unit.

• Anti-shock, robust packaging using strong shatterproof ABS plastic, with protection buffers to prevent damage.

• Uses widely available rechargeable camcorder batteries, or optional AA cells, which can even be changed whilst recording. Specifications: 24cm (W) X 8cm (H) X 26cm (D) 1.5kg

SONY PCM-M1 Pro Portable DAT Recorder
For the audio professional who needs to record on the run, Sony's PCM-M1 Professional Portable DAT Recorder is the company's smallest and lightest
DAT unit. Features include 48 kHz/44.1 kHz/32 kHz sampling frequency selection, up to 3.5 hours of continuous recording with supplied Ni-MH rechargeable batteries, selectable ID6 (SCMS copy protection), record margin indication, start ID level select, back lite LCD display (blue), and a high-quality microphone circuit.

Specifications: 80 X 117.3 X 29.3mm 290 g

SONY PCM-7040 DAT Recorder
Ideally suited for interchanging audio between recording studios and video post production facilities, Sony's PCM-7040 DAT recorder offers high-quality 2-channel digital recording with SMPTE time code. This high-end recorder is useful for a wide range of audio recording applications where time code synchronization and external control are required.

TASCAM DA-60mkII Timecode DAT Recorder
You won't find a better 4 head synchronizable DAT value than TASCAM's DA-60 MKII. With complete Sony P2 support, the DA-60 MKII behaves like a VTR and can be integrated with edit controllers and hard disk systems, making it the perfect DAT for post-production environments. More importantly, its onboard synchronizer and improved servo system means virtually instant lock-up times. And with advanced A/D and D/A converters, the DA-60 MKII delivers extremely high dynamic range and very high signal to noise ratios.

TASCAM 302mkII Dual Cassette Deck
TASCAM's 302 cassette deck is a sure-fire hit in a wide variety of applications. The 302 is invaluable for long-play sound install applications, continually switching between two decks, or looping each deck independently for two separate sound zones. In live applications and home studios, the 302 can be used to make multiple masters simultaneously - immediately after making the master cassette, the dubbing feature can be used to create a 1:1 dub, or use the cascade I/O to connect multiple decks into a dubbing system.

TASCAM MX-2424 24 Track Recorder
With over 2,000 units in use around the world, the MX-2424 has become one of the most popular 24-track recorders ever made. Its revolutionary capabilities - 24-track, 24-bit digital hard disk recording and powerful built-in editing controls - are offered at a price low enough to be affordable by most personal and project studios, with sonic quality and a feature set built for the highest ranks of professional facilities.
 

TASCAM DA-78HR Digital Multritrack Recorder
The DA-78HR is the world's first 24-bit modular digital multitrack (MDM) recorder. Designed to add the power of high-resolution digital recording to project studios and commercial facilities, the DA-78HR represents the latest generation of TASCAM's DTRS recording format. DTRS machines have become a standard worldwide in studios of all levels, with proven reliability, quick response, and unparalleled audio quality. The DA-78HR takes it to the next step, offering 24 bit audio and built-in time code capabilities. Also, built-in digital mixing and onboard S/PDIF digital I/O for transfers from DAT or CD can be used for creating a quick mixdown, or for bouncing tracks externally. The DA-78HR can work with any other DTRS machine, making it perfect for studios adding more tracks to their recording system.

TASCAM DA-98HR Digital Multritrack Recorder
The DA-98HR takes the 24-bit recording engine of the DA-78HR and adds critical features specifically designed for the rigors of post production and the highest end of commercial recording facilities. Its inclusion of multichannel AES/EBU digital I/O provides instant integration into digital patchbays, DAWs, and other systems. The DA-98HR can be controlled with standard DTRS remotes, or via serial 9-pin. A DA-98HR can be used while synchronized to other recorders so that backup tapes can be constructed as the session progresses. For the most critical recording applications, the DA-98HR's superb audio fidelity, exceptional speed, easy integration, and proven reliability make it the ultimate DTRS recorder ever made.

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