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MIXERS
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Sound
Devices 302 Compact
Production Mixer
Small, Powerful
Audio Mixer for ENG
Developed
specifically for audio-for-picture applications, the
302 mixer is the perfect tool for production
companies and camera operators wanting to take
control of their audio. The 302 is stunning for its
size, flexibility, control and performance; it is
the most compact and cost-effective battery-powered
professional audio mixer in its class.
With important features to accommodate nearly any
over-the-shoulder production, the 302 interfaces
with wireless transmitters and receivers, camera
audio inputs of all kinds, and external audio
recorders. Its microphone inputs share the same
superb circuitry of all Sound Devices field
production tools.
Like Sound Devices larger 442 Field Mixer, the 302
has a complete feature-set in a compact, functional
design. All controls are accessible on its three
main surfaces; no hidden controls. The
high-efficiency power circuitry runs the mixer from
either three internal AA batteries or external 5-18
VDC. |
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Sound
Devices 422 Field Mixer
The Ultimate
Portable Mixer for
Production, ENG, and Film
Developed with
input from the industry's top audio engineers, Sound
Devices 442 encompasses the audio performance,
feature set, and mechanical construction demanded by
those who rely on audio gear for their livelihood.
The 442 contains four microphone preamplifiers that
re-define portable audio performance. With its
comprehensive inputs and extensive outputs,
including direct outputs per channel, the 442 is at
home in small run-and-gun applications as well as
large, multiple-input productions.
The 442 incorporates a complete feature-set into a
compact, functional design. All controls are
accessible on its three main surfaces; no hidden
controls. The high-efficiency power circuitry runs
the mixer from either four internal AA batteries or
external 5–18 VDC.
The 442 and 442N, like all Sound Devices
professional audio products, are designed to
withstand the physical and environmental extremes of
field production. Its compact mechanic construction
strikes the perfect balance between access to all
functions, uncluttered design, and durability. |
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Sound
Devices MixPre Compact Field Mixer
The MixPre from Sound
Devices is a studio-quality two-channel, portable,
stereo microphone mixer. Its impressive audio
performance and comprehensive features, including
pan switches, built-in slate microphone, 1 kHz tone
oscillator, and headphone monitoring, make it ideal
for the front end of any studio or field production
system.
Radio, television, and film production engineers
value the compact size and ability to withstand
extremes in the field. The MixPre combines rugged
mechanical and electrical construction, compact
size, and high-quality components. The MixPre gives
no-compromise performance for any application.
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Sound
Devices 442 Nordic Field Mixer
The Ultimate
Portable Mixer for
Production, ENG, and Film
The 442N is
identical in every way to the 442 mixer, with the
exception of its metering scale. The 442N references
a Nordic scale PPM meter for compatibility with
Nordic scale gain structures. This meter scale shows
additional resolution between -10 dBu and +4 dBu.
The 442N incorporates a complete feature-set into a
compact, functional design. All controls are
accessible on its three main surfaces; no hidden
controls. The high-efficiency power circuitry runs
the mixer from either four internal AA batteries or
external 5-18 VDC.
The 442 and 442N, like all Sound Devices
professional audio products, are designed to
withstand the physical and environmental extremes of
field production. Its compact mechanic construction
strikes the perfect balance between access to all
functions, uncluttered design, and durability. |
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PSC
Miranda Mixer
Unveiled at this year's NAB show, the new Miranda
mixer by PSC challenges conventional field
mixer design in both form and function. Miranda
is built from the finest materials in an
uncompromising design. This exciting new design
offers a folding control surface and fader drawer
milled from solid blocks of aluminum billet, 12
inputs rather than the traditional 8, built in 16:9
video monitor and four camera support. |
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ATI
Nanoamp Series Expanders
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MXS100 |
Field or
portable Mixer, Stereo Line out, Three Panned
Mic/Line Inputs |
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MX200 |
Studio Mixer,
Stereo Line out, Three Panned Mic/Line Inputs |
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MX200C |
Same as MX200
but includes a switchable peak limiter |
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XPS100 |
Expander,
Stereo buss out, Four Panned Mic/Line Inputs |
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XPS200 |
Expander,
Stereo buss out, Two Stereo Line Level Inputs |
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ATI
MXS-100 Mixer
The MXS100 is a full featured stereo field
mixer with three XLR switchable Mic/Line low
noise balanced inputs, phantom power, pan pots,
switched low cut filters, slate microphone,
stereo tape in and tape out jacks (new),
and a test tone oscillator driving stereo, bright
LED bargraph VU meters, low distortion servo XLR
balanced switchable mic/line outputs (new)
with switchable peak limiting, and a stereo
program/cue headphone output.
Specifications:
5.75"W x 1.72" H x 6"D * 1.5 lbs. |
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COOPER
CS 104 Mixer
Cooper Sound Systems presents a new 'ENG' style
mixer incorporating all (and more) of the most
requested features for an 'over-the-shoulder'
portable field mixer. The Cooper 'ENG' mixer has
been designed for ease of operation, reliability and
superior audio quality. All controls are located on
the front and side panels and are ergonomically laid
out for operator convenience. Components are of the
highest quality. The mixer is housed in a sturdy
metal chassis built to withstand the rigors of
location recording.
Specifications:
10.9"W x 2.5" H x 6.8"D * 4.8 lbs. |
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COOPER
CS 208 Mixer
Cooper Sound Systems has been providing high quality
professional audio mixers to the film & television
industry since 1989 with the introduction of the CS
106+1 audio mixer. The CS 208, an updated version of
the CS 106+1, is an eight channel portable mixer
with four main plus two aux. outputs and includes
comprehensive communication features. Cooper mixers
are well known amongst industry professionals for
their dependability in demanding recording
environments, ease of operation and superior audio
quality. The CS 208 v2 includes more flexible bus
assignment capabilities, a more comprehensive
monitoring system, faster acting limiters and two
fully independent roll switches.
Specifications:
16.5"W x 15.2"H x 5"D * 19 lbs. |
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FILMTECH
LSP4 Mixer
The LSP4 is a four channel portable audio mixer that
gives you all of the essentials that other mixers
give you, plus OM-S matrixing available on both
pairs of inputs, in the headphone amplifier, and at
the mixer output. In addition to the main L/R outs,
there is a clean feed balanced output from each
input available at a 12 pin Hirose, an optional
fader module allows control of the channel levels
via faders, front panel switches select monitoring
in mono or stereo or via M-S matrix or L/R only.
Specifications:
13"W x 3" H x 7"D * 6.5 lbs. |
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PSC
Alpha Mix Mixer
The new PSC AlphaMix contains all of the features
required by today's demanding ENG recordist. Do you
regularly do two camera shoots, work with demanding
producers or have complicated IFB feeds? Then the
new PSC AlphaMix is for you. This all new design
contains four inputs each with switch-able line or
microphone level inputs, 12T or 48PH microphone
power, low noise pre-amplifiers with continuously
variable gain trims, active 12dB/Octave low cut
filters, balanced line level outputs per input
channel, pre-fader-listens and simple three LED
meters per input channel.
Specifications:
10.5"W x 2.2"H x 7"D * 4 lbs. |
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PSC
MX 3 Mixer
The new Professional Sound Corporation M3 Audio
Mixer offers the features required for todays
ENG mixer. It combines rugged construction, high
quality componentry, and ease of use ergonomics in a
compact package. The M3 Mixer's headphone
monitoring selections include Left to both ears,
Stereo, Right to both ears, Mono, Pre Fade Listen of
chanels 1,2 and 3 and MS Stereo as well as Tape
returns from two Betacams.
Specifications:
8.6"W x 2"H x 6.75"D * 3.5 lbs. |
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PSC
MX 6 Mixer
The new PSC M6 Portable Audio Mixer is
designed to fulfill the needs of the field recordist.
It offers many of the features found in our flagship
M8 Mixer, but with reduced complexity and cost. This
new PSC M6 Mixer is designed for extreme
field operating conditions and this utilizes rotary
pot faders because of their immunity to dirty and
dusty conditions. In addition, it offers provisions
for direct mounting of your favorite RDAT or DVD
recorder. This allows for a simple and convenient
means of recording in the field whether you are
working on a sound stage, in an insert car, or at
some other remote location.
Specifications:
14"W x 2.25"H x 15"D * 11 lbs. |
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PSC
Mjr Mixer
The Professional Sound Corporation Mjr Audio
Mixer is perfect for use with today's small
Digitial Video Cameras, standard Betacams(tm), RDAT,
and MiniDisc(tm) recorders. The PSC Mjr Mixer
offers the features found on many full size mixers
yet is built in a small and concise format. This new
mixer contains two high quality microphone
pre-amplifiers, each with switch-able line or mic
inputs, high pass filters, channel assignment pan
switches, and 48 phantom mic power. The PSC Mjr
Mixer design also incorporates a slate
microphone, reference tone oscillator, headphone
amplifier with tape/direct switch, sunlight readable
LED meters and a multi-pin connector for use with
our BetaSnake cables. All of these features are
housed in a rugged aircraft aluminum case barely
4.75" by 6" in size and weighing less than 1.5 lbs.
In addition, the entire mixer may be mounted to the
bottom of any small video camera via the supplied
1/4-20 thumb screw. The mixer also contains a 1/4-20
threaded attachment point so that the mixer/camera
combination can be mounted to any standard tripod.
The PSC Mjr Mixer operates from a
single 9 Volt battery for more than five hours.
Specifications:
4.70"W x 1.8"H x 6"D * 1.4 lbs. |
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SHURE
FP33 Mixer
The FP33 is a 3-input, 2 output, portable stereo
mixer specifically designed for remote audio
recording, electronic field production, electronic
news gathering, and location film production.
FP33 features
include: High-quality, sealed input potentiometers,
Dynamic range of over 100dB 48V phantom, 12V phantom
power, and 12V T (A-B) power, LED indicators of
input levels, output peaks, limiter action, and low
battery. Pop-up pan pots and a link switch to couple
inputs 2 & 3 into a stereo pair, Mix Bus to connect
an additional FP33 or FP32A, comprehensive headphone
monitoring control including headphone MS stereo
matrix, internal DIP switches for over 4,000
customized setups. The FP33 has an exceptionally low
self-noise and a wide dynamic range that are perfect
for use with DAT and other digital recording media.
Specifications:
7–1/4"W x 6–3/8"D x 2–1/4"H * 3.5 lbs. |
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SHURE
FP42 Mixer
With full stereo capability, the FP42 is perfect for
mixdown in video editing suites. Four XLR
transformer-balanced mic/line inputs and two outputs
(one for each stereo channel). Pull-pot cueing on
all inputs provides channel previewing. Low-cut
filters, mono-stereo switch, mix bus linking,
headphone amplifier, tone oscillator, switchable
limiter, phantom power and dual VU meters.
Rack-mountable with A16R. Three standard 9-volt
alkaline batteries or 120/240 Vac power.
Specifications:
3–1/8"H x 12–7/32"W x 9–1/16"D * 7 lbs. 10 oz.
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SONOSAX
SX-PR Mixer
SONOSAX SX-PR is the smallest and most
lightweight stereo mixer available today. All that
is needed for powering are 3 C-cell alkaline
batteries of 1.5V or NiCad accumulators. An
ingenious feature of this modular system is its
adaptability to right or left-handed users ... the
master module with the modulometer may be installed
on either side of the mixer. Like all other
SONOSAX manufactures instruments, SX-PR
has been built using only professional components
(conductive plastic potentiometers, switches and
connectors with goldplated contacts, etc.) to ensure
unparalleled levels of quality, performance and
reliability. In addition, the switches and
potentiometers are air-tight and thus dust
protected. All these features, together with very
demanding SONOSAX standards, have resulted in
this mixer that meets the needs of News reporting
(ENG/EFP) where reliability, size and weight make
all the difference whether recording indoors or
outdoors. And, to top it all, thanks to the updated
electronic characteristics of modern techniques,
this tiny little mixer is ALL SET FOR DIGITAL
RECORDING! |
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Wendt
X3
This premium low-noise mixer has all the features
necessary for recording top quality sound for film
or television application. The inputs are mic or
line switchable and phantom power is available on
all three inputs. The X3 also offers pan switches, a
slate mic and a 1/4” headphone jack, and unbalanced
AUX and balanced XLR mic-line switchable outputs.
Six AA batteries give you an estimated 12-15 hours
of use.
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ASHLY
MX-508 Mixer
The MX-508 is an
eight-input stereo mixer that combines Ashly’s
experience and audio prowess with features you just
can’t find elsewhere in a single unit. Its
versatility is exemplified by its 84 dB of gain,
which ensures full output and low noise with
low-sensitivity or distant microphones. The MX-508
is an eight-input stereo rackmountable mixer.
Designed for a multitude of applications, the MX-508
has an extensive mix of features for a small unit
combined with excellent sound and quiet performance.
Specifications:
19" w x 5.25" h x 9.6"D * 22 lbs. |
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MACKIE
1202-VLZ Pro Mixer
Studio Quality Preamps in a Compact Package.
As the smallest mixer in the
VLZ Pro compact mixer line, the Mackie 1202-VLZ Pro
packs the same legendary punch as Mackie’s other VLZ-Pro
compact mixers. The 1202-VLZ Pro is the ideal
compact mixer for home and project studios looking
for an economical solution for their audio needs.
Thanks to its compact size and durability, the
1202-VLZ Pro can be used in the studio and on the
road.
Specifications:
11.8"W x 11.2"D x 2.6"H * 6 lbs. 8 oz. |
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MACKIE
1402-VLZ Pro Mixer
Studio Quality Pre-Amps in a Compact Package.
The 1402-VLZ Pro is the ideal
compact mixer for small home project studio owner
looking for an economical solution for their audio
needs. Also, because of its many features and its
durability, the 1402-VLZ Pro can be used for extra
studio-grade preamps as aux inputs for a larger
mixing console. Mackie’s 1402-VLZ PRO combines the
compact size of the 1202-VLZ PRO with added features
and 60mm log-taper faders. Its six new “audiophile”
XDR™ Extended Dynamic Range mic preamps offer the
best RFI rejection of any compact mixer design.
Added benefits include maximum freedom from ground
loops and impeccable sonic performance that meets or
exceeds the specs of esoteric, outboard mic
preamplifiers. The XDR design is the only compact
mixer mic preamp that is totally impedance
independent: frequency response does not change even
with extremely long cable runs or exceptionally
high-impedance mic inputs.
Specifications:
13"D x 14"W x 2.9"H * 9.5 lbs. |
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MACKIE
1604-VLZ Pro Mixer
Audio professionals view the 1604-VLZ Pro as the top
compact mixer choice for any live or recording
application where sound quality, ease of use, and
durability are essential. Not only is the 1604-VLZ
Pro perfect for live sound recording and small- to
medium-sized studio recording, it also has excellent
submixing capabilities with its ample number of XDR
mic preamps and a large host of features.
Specifications:
19"W x 17.6"D x 5"H * 20 lbs. |
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MACKIE
SR24-4-VLZ Pro Mixer
THE SR24•4-VLZ PRO is the latest update of our
SR24•4 sound reinforcement console, incorporating
our ultra-high quality XDR™ (Extended Dynamic Range)
mic preamps with the best RFI rejection of any sound
reinforcement mixer design on the market. Like all
of Mackie Designs’ mixers, the SR24•4-VLZ PRO is
designed for rugged, 24-hour-a-day use. With its
multiple input/output configurations, true 4-bus
architecture, 6 aux sends, and extensive routing
capabilities, it can be used in a variety of live
sound and recording applications.
Specifications:
5.60"H x 31"W x 19.20"D * 31 lbs. |
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SOUNDCRAFT
Spirit E Mixer
Looking for a simple, easy to use mixer that
delivers an exceptional audio performance? The
Spirit E Series is here. For recording, live,
install or broadcast use there’s a Spirit E Series
for you. Sonic integrity through design.
The emphasis with the Spirit E Series is very firmly
on quality audio performance, with an easy to
understand control surface uncluttered by
unnecessary facilities. Mic and line inputs are
provided on balanced XLR and 1/4" jack connectors
for optimum performance, with the main stereo
outputs on balanced XLRs for better integration with
other professional equipment. There are also insert
points on every mono channel and the mix outputs for
external signal processing.
Specifications:
13 lbs. |
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SOUNDCRAFT
Spirit Powerstation
The Spirit Powerstation range offers a well-balanced
combination of features for mixing live bands, or
driving a variety of installed or temporary sound
systems.
There's the Powerstation 600 with a 2 x 300 Watt
into 4 Ohm amplifier with 8 mic/line inputs and 2
stereo inputs, and Powerstation 1200 which boasts a
2 x 600 Watt into 4 Ohm amplifier and 16 mic/line
inputs for larger bands and venues.
Both Powerstations are equipped with a specially
designed Lexicon effects Unit with dual effect
capability (including Chorus and Reverb, Chorus and
Delay, and Reverb and Delay) and fully editable and
storable programs and parameters. They have a
dedicated auxiliary send for the Lexicon effects
(bringing the auxiliary count up to three), a steep
18dB per octave High Pass Filter and the high
performance UltraMic™ padless preamp, as well as an
integral patchbay, the 2 x 7 band graphics equaliser
and 40Hz subsonic filter for speaker protection. |
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SOUNDCRAFT
SPIRIT 8
The Spirit 8 is the ultimate Spirit Range live
console, a full-featured 8-bus desk that combines a
comprehensive range of professional control and
routing facilities with cost-effective and compact
design. You can choose the Spirit 8 in any of four
frame sizes, from 16 to 40 mono channels, all
featuring eight subgroups for routing sets of
channels together, giving you fewer faders to ride
when balancing the overall mix.
Specifications:
16 Channel: 6.77" H x 25.91" D x 34.45" W
24 Channel: 6.77" H x 25.91" D x 43.86" W
32 Channel: 6.77" H x 25.91" D x 53.03" W
40 Channel: 6.77" H x 25.91" D x 62.24" W |
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SOUNDCRAFT
Spirit Notepad
If ever a mixer deserved to be called "small but
perfectly formed", it's the Spirit Notepad that
earned the title. Despite its ultra-compact size and
very affordable price tag, the Notepad comes with
the same professional pedigree as all Soundcraft
mixers, and it packed with enough features to handle
a surprisingly wide range of mixing tasks.
Notepad squeezes into its sub-250mm wide frame an
amazing 10 inputs, designed to handle everything
from phantom-powered studio condenser mics to DJ
decks and samplers. Its high-quality components and
advanced design ensure CD-quality sound, while its
ergonomic layout layout makes the Notepad very easy
to use. And even on the smallest Soundcraft, as well
as essential features such as separate mix and
monitoring outputs, you get custom-built pots
designed to give the same precision control and
carefully-tailored responses that grace the biggest
Soundcraft desks. However you look at it, the Spirit
Notepad is the most fully-featured small mixer in
town.
Specifications:
1.97"H x 9.76"W x 9.33"D * 3.31 lbs. |
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TASCAM
DM-24 Mixer
The DM-24 digital mixing console is designed to
provide you with superlative audio quality in
today’s digital audio recording environment, as well
as ease of use and flexibility to meet changing
needs. This Reference Manual is not intended
to be read from cover to cover, but we do suggest
that you make yourself familiar with the contents of
this section as well as the structure of this
manual, so that you can find answers to questions
when you need them. If you learn a little about the
key features and principles of operation now, before
you start to use the DM-24 it will save you time and
trouble later on.
Specifications:
22.9" W x 25.9" D x 7.8" H * 45.1 lbs. |
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