Sennheiser HD202
Closed, dynamic hi-fi stereo headphones. Their good insulation against ambient noise and a deep bass response make them the ideal companion for DJs ­ or anyone who likes to listen to modern, powerful music without disturbing others.  High efficiency drivers for maximum performance .
Frequency response 18 - 18,000 Hz

Sennheiser HD280 Pro Headphones
The HD280 Professional is Sennheiser's most significant closed, circumaural headphone to be introduced in years. Designed to exceed the demands of the professional environment, the HD280 Pro boasts extremely robust construction combined with extensive features that meet the requirements of today's most demanding applications. The unique collapsible design combined with swiveling ear cups, offers maximum flexibility in any application.

AKG K240M
A perfect choice for recording studios. Semi-open design that produces a 'natural sound'. Comfortable, adjustable fit.
•Headphone response 15Hz-20kHz

Beyerdynamic DT 48
Standard choice in many broadcasting, television, motion picture and studio applications. In production since 1937 (world's first hi-fi headphone). Fully adjustable, padded foam support for comfortable fit.
•Headphone response 16Hz-20kHz

Sennheiser HD 25 SP
Lightweight design that is ideal for outdoor applications. Closed, dynamic headset for maximum isolation and incredibly full response
•Headphone response 30Hz-16kHz

Sennheiser HD 25
Closed, dynamic professional headphones. Perfect for ENG, sound reinforcement, studio monitoring and many other applications. Dual foam headband design for comfort.
•Headphone response 16Hz-22kHz

Sennheiser HD-26
The entry-level HD 26 offers both comfort and sound quality in a lightweight design that incorporates many features of the full-sized models. Its radial bead diaphragm ensures more accurate music reproduction.
•Frequency Response 50-18,500 Hz
•Transducer Principle Dynamic
•Nominal impedance 32 ohm
•Sensitivity 100 dB THD < 0.1%
•Ear coupling Supra-aural
•Weight (without cable) 2.1 oz
•Connector 3.5 mm stereo jack
•Cable 5 ft single-sided copper cable.

Shure SM2
Dual-ear headset ideal for TV, radio, film and video applications. Includes a SM10 cardioid microphone with fully adjustable boom, isolated enclosures for enhanced clarity in noisy environments and a removable mic/headphone cable configurable for the user¹s needs. Frequency response 50Hz-15kHz

Sony MDR-7502
Keeping with the high quality found in the MDR series. Closed ear design for comfort and reduction of external noise interference. 30mm driver unit that reproduces for clear, high quality sound. Includes a stereo unimatch plug for 1/4" and 1/8" applications.
•Headphone response 60hZ-16kHz
•Headphone impedance 45ohms
•Also available: MDR-7504

Sony MDR-7506
Considered to be one of the standards in field monitoring applications. Closed ear, dynamic 40mm driver unit in a rugged design that folds for easy storage. Clear high quality sound. Supplied with 1/4" or 1/8" gold stereo unimatch plug and soft storage case.
•Headphone response 10hZ-20kHz
•Headphone impedance 63ohms

Telex ET-2 , ET-3 , ET-4

Fostex PH-50
The new PH-50 is a remarkably quiet headphone distribution amplifier. Each output has its own amplifier as well as its own level control - so different individual requirements can be met with ease. Multiple PH-50s can also be cascaded to handle a large number of listeners making it ideal for orchestral, multimedia, education & trade show applications. The PH-50 is especially handy in the studio environment because an output from the mixer can send a talkback signal to the Aux input (complete with level control) of the PH-50 & be distributed to all headphone outputs. This great cue system makes for more effective communication between engineer/producer & musicians.
• 5 headphone outs - each with its own amplifier
• Each input routes to its direct output, plus Aux 1 source (cuefeed)
• Multiple inputs: XLR, phone, RCA pin jacks
• +4dBu or -10dBV switchable for balanced inputs
• Individual level controls with peak reading LED
• Stereo or mono input select
• Cascade inputs & outputs for ‘daisy chaining’ units
• Aux In with level control for cue feed from main mixer

Mam HP48
The HP 48 has 4 separate, high capacity stereo amplifiers that can either be used individually with up to 4 various signals or as a group. For example, you can have one signal on all 8 headphone outputs or put one signal on, say, channels 1, 2 and 3 and a different signal on channel 4. This flexibility makes the HP 82 ideal for recording studios that demand a perfect headphone monitoring system. Language labs use a splitbox to combine numerous HP 48s.

JK Audio RemoteAmp
The RemoteAmp is a simple battery-powered personal headphone amplifier. Use the RemoteAmp as an IFB earpiece or headphone amplifier, or as an on-stage monitor headphone amplifier. This low-distortion, 1 watt amplifier will cut through the crowd noise without distortion. The RemoteAmp clips to your belt and accepts a 3-pin XLR audio input from a mixer, distribution amplifier, telephone line hybrid, or a handset interface like our QuickTap IFB. You’ll like the convenience features, such as the separate power switch, which allows you to leave the volume control set at a comfortable level.

PSC Headphone Distribution Amp
The Professional Sound Corporation Headphone Distribution Amplifier is a portable, battery powered, one stereo input to three stereo output audio DA. Each of its three stereo outputs are electronically isolated from each other and offer a flat frequency response from 20 Hz to 20 Khz. Its distortion is a low 0.05% Additionally, each output is equipped with a detented gain control allowing adjustment from -40dB to +10dB. The PSC Headphone DA operates from a single 9V battery for over six hours and will drive any headphone with an impedance rating of 25 to 600 ohms. The PSC Headphone DA is housed in a rugged, anodized and powder coat finished aluminum case and is equipped with an 18" input cable and a stereo male Neutrik^tm phone plug.

Shure FP22
The FP22 Stereo + 1 Headphone Amplifier provides professional quality stereo headphone monitoring and is ideal for field production, studio recording, and troubleshooting applications. The FP22 is powered by one 9 V battery. With 81 dB of gain, the FP22 can monitor a wide range of signal sources in many different configurations. The FP22 has loop through input circuitry to monitor a signal without affecting the original signal source, balanced XLR connectors (accepts mic or line level), two pairs of headphone outputs, red Power On LED, a removable belt clip and two stereo 1/4-inch loop through jacks.

Sound Devices HX-3
Add headphone outputs to any piece of gear with the compact HX-3 Headphone Amplifier. It quickly and simply provides three high-current stereo headphone feeds with individual level controls. Great for radio, television, and film production applications.

Sound Devices MM-1
The portable MM-1 combines two essential production functions — microphone preamplification and headphone monitoring — in one compact product. The MM-1 is a no-compromise, studio-quality microphone preamplifier with phantom power, high-pass filter, and built-in limiter. With its monitoring function providing fold-back of preamp audio and external monitor audio, the MM-1 is at home in the most complex broadcast remotes, theatrical productions, and intercom setups.