Electro-Voice 635A
One of the most popular ENG field production mics. The 635 family of microphones deliver high output and unsurpassed durability. So much that it has earned the nickname "The Hammer". Integral windscreen and filter protects against wind and breath noise.
Omnidirectional
Frequency response 80Hz-13kHz
Also available: 635/B (Black), 635L (Long Version) and 635L-B (Black Long Version)

Electro-Voice RE50
Designed for broadcast use. Each member of the RE50 family contains an integral windscreen and provides exceptional isolation from handling noise for superior sound.
Omnidirectional
Frequency response 80Hz-13kHz PAlso available: RE50/B (Black)

Electro-Voice RE16
Designed specifically for professional applications. Features the Variable-D design that practically eliminates off-axis coloration and bass-boosting proximity effect. Includes hum-bucking coil for added sound clarity and noise rejection and a blast filter that minimizes popping and wind noise.
Supercardioid
Frequency response 80Hz-15kHz

Beyerdynamic M 58
Perfect for broadcast and interview applications. Slim, long profile design along with a non-glare Nextel finish makes this mic "camera friendly". An internal shockmount provides reduced handling noise. Optimized frequency response for maximum intelligibility.
Omnidirectional
Frequency response 40Hz-20kHz

Shure SM 57
Considered to be a "workhorse" of stages and studios worldwide. The diverse amount of applications along with an outstanding reputation of performance attribute to it's popularity. Contoured frequency response for clean, instrumental reproduction and rich vocal pickup.
Cardioid
Frequency response 40Hz-15kHz

Shure SM 58
Consistently the first choice of performers around the globe. Smooth, mid-frequency presence rise provides the distinct, world-famous sound. Rugged construction for extreme reliability in demanding applications.
Cardioid
Frequency response 50Hz-15kHz

Shure VP 64
A perfect choice for broadcast and video production applications. Contains a high energy neodymium magnet. Consistent audio quality on or off axis, high output, low noise, effective shock isolation and extremely rugged construction. Windscreen and swivel adapter supplied.
Omnidirectional
Frequency Response 50Hz-12kHz

Sennheiser MD 441 U
The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface: all metal casing with black simulated leather finish, sound inlet basket: nickel plated.
•Super-cardioid
•Frequency response 30 - 20,000 Hz

Sennheiser MD 431-II
By virtue of its design and features, the MD 431 II ranks amongst Sennheiser's most exceptional microphones and is suitable for vocal, speech and broadcasting applications. Color: black, sound inlet basket: refined steel.
•Super-cardioid
•Frequency response 40-16,000 Hz

Schoeps CCM-L Series
The latest enhancement of the CCM series. Fitted with a purpose designed, balanced, tri-axial Lemo connector. Pick and choose the cable most suited to your needs. The lemo connector and capsule jack provide a quick "lock and release" to easily change different capsules. For any project you are guaranteed the quality you expect from Schoeps.

Schoeps MK4
One of the standard choices in the Schoeps line of capsules. Recommended for most any applications.
Cardioid
Frequency response 40Hz-20kHz
Also available: MK 4S (with bass roll-off)

Schoeps MK 41 Capsule
One of the most popular capsules from Schoeps. Recommended for production dialogue, studio voice-overs. The most directional pattern available.
Hypercardioid "Short" Shotgun
Frequency response 40Hz-20kHz
Also available: MK 41S (includes low frequency roll-off for close speech pickup)

Schoeps CMC Amplifier Modules

CMC 3U: 12 Volt phantom power

CMC 4U: 12 Volt AB power (Tonador or "T" power), use with Nagra QPM 3-5 or other unbalanced inputs

CMC 5U: 48 Volt phantom power

CMC 6U: 12 Volt - 48 Volt "universal" phantom power  

Schoeps GVC
The capsule joint can be mounted between all amplifiers and capsules of the Colette series. The microphone data remains unchanged in all possible configurations. The capsule swivels over +/-120 degrees.
Available in: Nickel Plated (matte) or Grey TV-finish (non-reflecting)

Schoeps BLM 03 C
A boundary layer mic capsule with an attached cable to connect to a Colette amplifier. Can also be used with the CUT 1 filter. Non-light-reflecting matte gray surface.

Schoeps CMXY4V
Ideal for broadcast, speech and music. Contains three sections which include two rotatable cardioid elements, swivel section, base and output section. Offers balanced outputs, low sensitivity to electromagnetic interference, lateral pickup and more.
•Compact design
•X-Y Stereo

Schoeps Colette Cable
Active Colette cable may be inserted between any microphone amplifier and capsule of the Colette series. Models available: KC 5 (length of 5m) / KC 10 (length of 10m)

Schoeps CUT 1 Filter
Low frequency variable filter. Fits between any Colette series amplifier and capsule. Eliminates risk of high infrasonic levels caused by shock, vibration or random air movement. Bass frequency cutoff below 60Hz at 24dB / octave. A gradual 6dB / octave rolloff continuously variable between 70Hz-600Hz.

Sennheiser MKH418 ST
The MKH 418 S is an M-S stereo shotgun microphone using Sennheiser's exclusive RF condenser technology. Its M-S format, compact dimensions, very good consonant clarity and good spatial representation make it ideally suited for every type of application in film, radio, television and reporting, both indoors and outdoors.

Audio Technica AT815 ST
Designed for broadcasters, videographers and sound recordists with it's compact, lightweight design, it is perfect for camera-mount use. Independent Line-cardioid and Figure-of-eight condenser elements, Switchable low-frequency roll-off, Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes. Includes a 24" (0.61 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
•Elements: Line-cardioid and Figure-of-eight
•Frequency Response: 30 - 20,000 Hz  
•Switches: M-S, LR Stereo-Wide (LR-W), LR Stereo-Narrow (LR-N); Flat, roll-off
•Accessories Furnished: AT8405 stand clamp; AT8135 foam windscreen; protective case

Audio Technica AT822
•Ideal for camera-mount and DAT stereo recording. Features a switchable low-cut filter, windscreen, and camera-mount adapter. Mono compatabilty. A single 1.5V AA battery is required to power the microphone.
•X/Y Stereo
•Frequency response 30Hz-20kHz
•Accessories included: Gun-grip stand clamp, camera shoe mount adapter, battery, windscreen, output cables, soft vinyl protective pouch.

Audio Technica AT825
A perfect choice for stereo field recording. Equipped with a pair of matched condenser cardioid elements, it provides the spatial impact and realism of a live sound field. Provides a switchable low-cut filter and windscreen. Operates from either 5-52V phantom or 1.5V battery power.
•X/Y Stereo
•Frequency response 30Hz-20kHz
•Accessories included: AT8405 snap-in stand clamp, battery, windscreen, output cable, soft vinyl protective pouch.

Audio Technica AT835 ST
Designed for broadcasters, videographers and sound recordists with it's compact, lightweight design, it is perfect for camera-mount use. Switchable low-frequency roll-off, Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes. Includes a 24" (0.61 m) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
•Line-cardioid and Figure-of-eight
•Frequency Response Low Frequency Roll-off   40 - 20,000 Hz  
•Accessories Furnished: AT8405 stand clamp; AT8134 foam windscreen; protective case
•Switches: M-S, LR Stereo-Wide (LR-W), LR Stereo-Narrow (LR-N); Flat, roll-off

Neumann RSM 191 A-S
From ENG to film, TV and video, this is the stereo shotgun system. A single housing that contains a hypercardioid in the middle and a side capsule with a figure 8 pattern, generating a stereo signal with perfect mono capability. Includes the MTX 191 matrix amplifier with battery power supply that provides phantom power via a 9V battery. Variable X/Y stereo angles or M-S outputs with multiple ratios
•Hypercardioid / Figure 8

Neumann KU 100
The KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone capsules built into the ears. When listening through high-quality headphones it gives the illusion of being right at the scene of the acoustic events.
When using the KU 100 dummy head, the binaural stereo experience moves the listener into the scene of the original performance, in contrast to other space-related recording techniques, where the acoustic event is moved to the listener.
The dummy head is also used in many industrial applications as a measuring device, for example in acoustic research. The KU 100 can be operated with typical 48 V phantom powering, or from an external power supply unit, or from the built-in battery.
At the bottom of the unit is a switch for the different power supply modes, as well as connectors for balanced and unbalanced output signals. Inside the head are additional switches for 10 dB attenuation and the high-pass filter.
•Pressure transducer
•Directional pattern Ear
•20 Hz.-20 kHz

Neumann USM 69 i and SM 69 fet
The SM 69 fet and USM 69 stereo microphones each have two separate dual diaphragm capsules. These are mounted vertically and rotate against each other.The directional polar patterns can be selected separately for each capsule. The capsules operate independently from each other.
•Pressure gradient transducer
•Omnidirectional, cardioid, figure-8 with 6 intermediary positions Omnidirectional, wide-angle cardioid, cardioid, hypercardioid, figure-8
•20 Hz-20 kHz
 

Pearl Multi-Pattern Stereo Microphone DS 60
The DS 60 is very versatile in many different recording situations. Instead of being divided into two parts, the capsules are fixed at 90 degreeds to each other. The microphone consists of a solid-brass body, finished in black chromium and gold plated mesh. During an X-Y recording, simply turn the microphone and direct the engraved X-Y sign towards the centre of the sound field. For M-S recording, there is an engraved M-S sign to be used in the same way. The required microphone pattern is chosen at the console. The pre-amplifier, which is extremely quiet, has four output channels, one for each cardioid membrane, connected via a 9 pin Lemo plug. Each capsule provides 180 degreeds coincident stereo. The operator decides how to use the signals, either cardioid, figure of eight, omni-directional, X-Y or M-S patterns or Blumlein. The microphone is connected by a special cable consisting of a 9 pin Lemo at the microphone end and a four way splitter terminating in 3-pin XLR's to the console. It is a natural choice for the concert hall yet just as well suited for church organs
•Polar pattern: Multipattern
•SPL:126 dB
•Operating voltage:48 V
•Connector:9-pin XLR
•Frequency response:18 Hz - 25 kHz

Pearl Stereo MS2 and MS8 Microphone
Pearl MS 2 and MS 8 is specially made for MS recording of TV, Video and Film production. The microphone is very light, an advantage for using on a pole. This microphone is available in many versions such as different sensitivities. In MS 2 model the M and S signals are combined by the internal matrix to produce. Left and Right outputs. In the MS 8 the M and S channels are output independently for external processing -this may be recorded directly and mixed subsequently in an MS matrix to provide variable stereo width.,They are very resistant against bad environment as moisture, dust, change in the temperature etc.
•Max SPL:130 dB
•Connector:5-pin XLR
•Dimensions:185 x ¯28 mm
•Pattern:MS2: MS stereo, L-R MS8:MID: cardioid; SIDE: Figure of eight

Pearl Stereo Shotgun Microphone MSH10
Pearl MSH 10 is specially made for MS recording of TV, Video and Film Production. A short shotgun and figure-of-eight capsule system deliver the middle and side signal. The microphone is light, an advantage for using on a pole. M and S channels are output independently for external processing. The microphone requires phantom power and there is no need for any extra units. The amplifier provides low noise and transformerless output.
•Max SPL:130 dB
•Operating voltage:30-48V
•Connector:5-pin XLR

Sanken CMS-2
The Sanken CMS-2 is the world's smallest and lightest MS stereo microphone for TV and radio broadcasting, motion picture making and studio recording. Delivering a natural, uncolored sound and offering perfect reproduction of the stereo sound image, it is ideal as a main microphone for orchestras or musical groups. It is also excellent for capturing difficult sound ambiences of live audiences at pop concerts, talk shows, etc. It features a very flat frequency response(20Hz to 18kHz), and inaudible self-noise(16dB or less), which suit it well for compact disc recording. The CMS-2 can work with any standard matrix box.
•Transducer Type Push-Pull DC bias condenser
•Directional Pattern Mid=Cardioid/Side=Figure 8 Diaphragm Titanium membrane
•Frequency Response 20Hz to 18kHz

Sanken CMS-7s
The Sanken CMS-7s is portable M-S stereo condenser microphone for indoor and outdoor TV and radio broadcasting and motion picture making. The first microphone of its kind in the world to boast axial directivity, its compact size and weight enable a single person to handle all outdoor stereo recording. Featuring a clear stereo image with controllable width, a clean, uncolored sound, and maximum immunity to noise interference, it is ideal for picking up ambient stereo sound fields, especially in difficult outdoor environments where wind, microphone, and cable-handling noises can be a problem. It is supplied by the CMS-MBB I (or CMS-MBB II), a specially designed power supply and matrix box run by battery or 48V phantom. CMS-7s will mount to any standard 19mm diameter handgrip.
•Transducer Type Push-Pull DC bias condenser Directional Pattern •Mid=Cardioid/Side=Figure 8 Diaphragm Titanium membrane(1 micron) •Frequency Response 50Hz to 20kHz

Sanken CMS-9
The Sanken CMS-9 is a lightweight M-S stereo condenser microphone ideal for all studio and field recording applications. The CMS-9 outputs fixed stereo signals which can be input directly to a field recorder or portable DAT machine equipped with L-R inputs and 48V phantom power. Its unique two-layer windscreen and solid construction assure quiet recording, even in difficult outdoor environments where wind and handling noises can be a problem. Like all Sanken microphones, the CMS-9 features a one-micron titanium diaphragm that is light, strong, corrosion-free and immune to temperature and humidity changes. It uses the same capsules as Sanken's CMS-7s MS Stereo Mic, and offers Sanken's original Push-Pull capsule design, which gives it a sensitivity 6dB higher than similar sized non-Push-Pull microphones.
•Transducer Type Push-Pull DC bias condenser Directional Pattern •Mid=Cardioid/Side=Figure 8
•Frequency Response 50Hz to 20kHz

Sanken CSS-5
A stereo shotgun mic that is ideal for film, TV, video, documentaries and major broadcast events. Based on an array of five new directional condenser elements; Normal, Mono, Wide, Mono-Stereo Compatibility, Non-Proximity Effect. Equally responsive in the horizontal and vertical planes with high sensitivity, wide frequency response and excellent dynamic range.
•DC Biased Condenser

Schoeps CMXY4V
Ideal for broadcast, speech and music. Contains three sections which include two rotatable cardioid elements, swivel section, base and output section. Offers balanced outputs, low sensitivity to electromagnetic interference, lateral pickup and more.
•Compact design
•X-Y Stereo

Sennheiser MKE-44P
Single point stereo microphone that contains two electret condenser cardioid capsules. Both capsules are angled at 90 degrees to each other that capture the audio in a X-Y design. Features an adjustable bass roll-off switch. Supplied with a foam windscreen, mic stand adapter and stereo output cable.
•X-Y Stereo
•Frequency response 40Hz-20kHz

Shure VP88
A single-point M-S stereo mic. Provides a wide and natural response with optimal stereo imaging. Though it is 100% mono compatible. Widely used for such application as stereo sampling, ambient recordings, sound reinforcement and more. Phantom power or internal 6-volt battery and LF roll-off.
•M-S Condenser
•Frequency response 40Hz-20kHz

PSC Headset Microphone
A simple, yet rugged design that sports a comfortable, user-adjustable headband and flexible boom arm. Features a three-wire positive bias, noise cancelling, electret microphone element with a cardioid pick up pattern. Provides a natural sound and flat frequency response that rivals the best handheld microphone. Used for live performance and broadcasting applications.
•Cardioid
•Frequency response 50Hz-15kHz
•Configurations available: Pre-wired for wireless systems, pigtail, or with optional power supply (for balanced dynamic mic input).

Countryman Isomax Headset
Clean, comfortable design. Adjustable headband fits around back of head for minimum visibility. Telescopic, adjustable mini-mike boom arm. The frequency response has been designed to be warm and pleasing in the optimum side-of-mouth position. SPL is rated at approximately 150dB. Available in a wired or wireless configuration. Wired system operates on standard phantom power above 15 volts (optional 18 V battery supply available). Upon ordering, please specify wire or wireless version needed.
•Cardioid or Hypercardioid available
•Frequency response 20Hz-20kHz

Sennheiser NB 2
The NB 2 headmic adapter is designed for the unobtrusive attachment of MKE 2 or MKE 102/104 clip-on microphones. The microphone cable is easily inserted into the flexible construction of the adapter. The headmic adapter together with the clip-on microphone make an almost invisible head-worn microphone which gives complete freedom of movement in any application where you need both hands free.
•Very light and robust
•Microphone boom can be mounted on either left or right-hand side
•Fully adjustable
•Excellent feedback rejection due to close talking distance
•Available in beige or black

Shure MX393
A boundary mic that provides applications including boardrooms, podiums, altars or anyplace that needs a low-profile solution. The Microflex series incorporates fully interchangeable condenser cartridges, available in Omnidirectional, Cardioid and Supercardioid. LED indicator for "Mic On" can be programmed for Push-To-Talk, Push-To-Mute and Push On/Push Off modes. Phantom power only
•Omnidirectional / Cardioid / Supercardioid
•Frequency response 50Hz-17kHz
•Also available: MX392/C/S/O (Logic functions interface with automatic mixers, Unterminated cable)

Audio Technica AT854R
Low profile design that is perfect for video and audio conference applications. A multi channel boundary mic that features four independent cardioid condenser elements in one housing. Individual connection and control of each channel. Includes a single detachable 30' cable that has four shielded, balanced lines.
•Cardioid
•Frequency response 70Hz-16kHz

Crown PZM-6D
Boundary microphone that is ideal for mounting overhead or on conference tables, stages for theatrical applications, low profile for use in film scenes, surviellance use and more. Offers a switchable dual-frequency response. The "rising" position adds brilliance and articulation. The "flat" position maintains a smooth, flat and natural high-frequency response. Supplied with a 12' mini cable.
•Electret Condenser
•Frequency response 20Hz-20kHz

Neumann GFM 132
The GFM 132 is a boundary layer microphone. Through computer simulation Neumann optimized the design to be free of any comb filter effects due to reflections, typical of other such microphones. The smooth frequency response for all angles of incidence exhibits a rise in the upper frequency range. This assures that all sound sources, even distant ones, will be recorded with clarity and presence.
Therefore, typical applications are for live recordings, such as in the orchestra pit of opera houses, theaters, and on stage.
The back of the microphone has non-slip pads for its use in a horizontal or inclined position, and holes for wall suspension. It is supplied with a wooden case and a wind screen.
•Pressure gradient transducer
•20 Hz.-20 kHz

Coles 4104B XLR
Noise cancelling commentator's ribbon microphone. BBC designed for reproducing high quality commentary speech from noisy surroundings.
•Ribbon

Big Ears BE3
Big Ears parabolic dish designed for such applications as sporting events, surveillance, ENG, documentaries and more. Capable of capturing sound from long range distances (up to 500 feet) with clarity and high quality. Excellent acoustic isolation from handling noise. Adjustable mic positioning for best possible acoustic focus. Able to work with different microphones of your choice. Constructed of a shatter-proof and break resistant blend of Kevlar, Buterate and Acrylic. Optional accessories include padded neck/shoulder straps and soft or hard carrying cases.
•Also available: Lil' Ears BE4

Audio Technica AT895 Array Mic
Incorporates a revolutionary DSP-controlled five-element microphone array for use in handheld interviews or boom applications. Provides an adaptive array to substantially reduce background noise, increased off-axis rejection and outstanding low-frequency directionality. The AT895CP control pack provides the power, processing and control of the microphone. Featuring a three-position pattern switch, filter switch with flat, high-pass and band-pass settings, headphone jack and LCD battery indicator. Operates from external 12V DC, AC adapter (4-pin XLR) or three 9V batteries in a click-on housing.
•MicroLine Element / Four Cardioid Elements

Neumann KM184
Ideal choice in instrument recording and live-sound applications. Identical design to the KM140, although it omits the -10dB pad switch and the KM184 is cardioid only (no interchangeable capsules). Capable of handling high sound pressure levels of up to 138dB, with a dynamic range of up to 122dB. Includes the SG 21/17 stand adapter and WNS 100 windscreen.
•Cardioid
•Frequency response 20Hz-20kHz

Neumann KM180 Series
Suitable for a very wide range of applications in radio and television. Uses the same transformerless circuitry as used in the KM 100 Modular system. Represented are the KM 183 for instrument miking, the KM 184 for universal use such as announcer and overhead situations and the KM 185 to attenuate off-axis sound (lateral and rear) from other nearby sources. Requires 48 volt phantom power.

Neumann M 149 Tube
The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule, well-known from the legendary U 47 and M 49 microphone, is followed by a tube functioning as an impedance converter. In contrast to earlier concepts, utilizing a transformer, the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.
Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns.
The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off.
•Pressure gradient transducer
•Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus
•Frequency response 20 Hz.-20 kHz

Neumann M 147 Tube
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49.
Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic.
•Pressure gradient transducer
•Cardioid
•Frequency response 20 Hz.-20 kHz

Neumann TLM 50 S
The TLM 50 is a studio microphone with an unusual omnidirectional characteristic. Its construction is based on the legendary M 50, which was used for most of the Beatles recordings. The capsule is mounted flush into the surface of a sphere.
This unique design gives the microphone a smooth rise in frequency response and an increased directivity in the upper frequency range. There the directional characteristic is almost comparable to a pressure gradient microphone. In the lower audio spectrum it performs more as a pressure transducer with a linear response down to the lowest frequencies. It is supplied with a swivel mount cable and an auditorium hanger.
•Pressure gradient transduce
•Omnidirectional
•Frequency response 20 Hz.-20 kHz

Neumann TLM170R
A multi-purpose studio micropohne that features variable patterns (five) that is ideal for use on large orchestras and small groups, vocals and individual instruments. The low self-noise and high SPL tolerance yeild a dynamic range of 126dB. Also features a 10dB pad and a LF roll-off switch. This is the first microphone to achieve remote control of polar patterns via standard, two conductor shielded microphone cable and 3-pin XLR type connectors (requires the N 48R-2). The optional N 48R-2 provides phantom power and independent polar pattern control for two microphones. Supplied with a shockmount.
•Omni, Cardioid, Wide Angle Cardioid, Hypercardioid, Figure 8
•Frequency response 20Hz-20kH

Neumann TLM103
An ideal large diaphragm microphone for all professional and semi-professional applications that require the utmost in sound quality on a limited budget. Extreme low self-noise (7dB-A). Off-axis sounds are rendered naturally while isolation is increased. This leads to high feedback suppression for live situations. The entire internal construction is elastically mounted to attenuate noise that could interfere with the operation. Includes swivel mount.
•Cardioid
•Frequency response 20Hz-20kHz

Neumann U 87 Gold - Special Edition
Many microphones developed by Neumann over the past 70 years have become important milestones in audio history.
As part of their "Celebration of the Year" they are offering one of these legends in a 24 carat gold special edition: The U 87 Gold.
•Omni, Cardioid, Figure 8
•Frequency response 40Hz-16kHz

Neumann U 89i
Presenting improved acoustical and electrical characteristics and better high end when compared to the U 87. Features five polar patterns, a 6dB pad, a 2 position LF roll-off switch and a dynamic range of 123dB. Famous for broadcast use, it is recommended for general orchestra as well as narration and vocals.
•Omni, Wide-Angle Cardioid, Cardioid, Hypercardioid, Figure 8
•Frequency response 40Hz-20kHz

AKG C414B-ULS
A preferred choice for critical recording or reinforcement of vocals, piano, percussion and other instruments. Four selectable polar patterns for maximum versatility. Two bass filter settings suppress unwanted low frequency components. Switchable 10dB or 20dB internal preattenuation pads. Low self-noise and high overload combine for a remarkably wide 126dB dynamic range that is well in excess of digital media capabilities. Each microphone includes a stand adapter, windscreen and individually tested frequency response curve.