PSC DV SGM-1 Mic Kit
Professional Sound Corporation is proud to introduce our new DV SGM1 microphone.  This new microphone offers truly professional sound quality in a compact, lightweight package.  Designed to offer flat, smooth frequency response and a low self-noise artifact, the new DV SGM1 microphone sets new standards in size, performance and affordability.  The DV SGM1 is perfect for all types of professional audio recording in the field.  Weighing in at a mere 2.7oz (76.6gm), this hyper-cardioid pick-up pattern, compact shotgun microphone provides excellent off-axis sound rejection, superior frequency response and real world ease of use.  It’s ultra light weight design makes it nearly unnoticeable when mounted to a camera.  The DV SGM1 is powered from conventional 48PH microphone Power.

PSC DV ProMix 1

The new PSC DV ProMix 1 combines several features into one flexible audio tool for field production.  The DV ProMix 1 contains a balanced XLR input with switchable 12T or 48PH microphone powering, followed by a very low noise microphone pre-amp with continuously variable gain and switchable low cut filter.

The DV ProMix 1 also incorporates a bright sunlight readable LED peak meter, a transformer balanced line driver and switchable limiters on both the pre-amp and the line driver amplifiers.  In addition, the DV ProMix 1 features a monitor return amplifier with a balanced XLR input and continuously variable gain for flexibility.  Headphone monitoring can be selected from Direct to both ears, Monitor to both ears, or a combination of the two. 
The DV ProMix 1 will also except an optional Boom Pole Remote slide fader like our AlphaMix for easy operation while booming.  Power is provided by two, 9 volt batteries or external 7-16Vdc.  A belt clip is provided.

The PSC DV ProMix 1 can be used for Boom operators feeding DV cams or other types of recorders, or for use as microphone to line amp or as a standalone limiter, or for radio remotes or as a mic power supply and pre-amp or in a host of other ways.

PSC DV ProMix 3
Specifically for the DV Cam market, it has been designed to provide all of the features necessary for today¹s demanding video shoots. Features include balanced XLR mic inputs, very low noise mic pre-amplifiers with switchable gain for line level signals, 48PH microphone power switchable on each input, pan switches on each input, two position low frequency roll off filters on each input, ergonomic fader pots with non-slip rubber knobs, bright sunlight readable, LED meters that are color-coded for easy use, tape/direct confidence monitoring for that your audio is being recorded to tape, 2x 9V battery operation for easy field use and much more. Convenient carry case and strap included.

PSC DV ProMix 6
Professional Sound Corporation's DV ProMix 6 portable audio mixer offers the greatest performance to price ratio of any ENG style mixer in the industry. Perfect for ENG, EFP and reality television production, this new six-channel mixer is designed to provide all of the necessary functions required in today’s production environment. Super quiet pre-amplifiers, true dual camera support, bright, sun-light readable peak program meters, dedicated individual line outputs and ergonomic fader knobs are just a few of the features provided. Each input includes: State of the art, supper low noise pre-amplifiers, two position low cut filters, three-way channel assignment switches (pan switches) and handy pre-fade listen switches.

The DV ProMix 6 also features a reference tone oscillator, slate microphone, switchable output levels and custom made, properly sized, dual output transformers. In addition, the DV ProMix 6 includes a ganging input so two mixers can be connected together for those really complex jobs. The DV ProMix 6 comes complete with a custom-made field bag and padded shoulder strap.

Beachtek DXA-4
Dual XLR adapter that allows you to attach two balanced XLR low impedance sources to your camcorder. Each channel contains a mic/line switch and independent volume controls. The signal is converted to an unbalanced output through an impedance matching transformer. The output signal is sent through an attached shielded cable terminating into a stereo mini-plug that connects to your camcorder's microphone jack. Easily attaches to the under side of a camcorder.
Please specify camera make and model when ordering.

Beachtek DXA-4C
Designed for the Canon XL1 camcorder. Features two balanced XLR inputs, one auxiliary unbalanced mini-jack input, stereo unbalanced phono plug output, separate mic/line level switches for each input and adjustable gain for each channel. Secure mounting to the underside of the camcorder. Can be used in conjunction with the Canon MA-100 adapter. This gives you four discrete balanced XLR inputs at the same time. Housed in a durable aluminum case.

Studio 1 Productions XLR-BP Pro
Gives you the flexibility to have XLR audio inputs for your camcorder. Features include two XLR balanced inputs, single 1/4" and 1/8" inputs, Stereo/Mono/Mix switch, Mic/Line Level selection, Voltage Block Circuit, Ground Lift switch, Audio Level Controls, 4ft Shielded Cable. No Power Required - Passive device. Works with all video cameras with a mic jack. Also, works with DAT and mini disc recorders. Ideal for Line Level Inputs or externally phantom powered condenser mics. Clips on your Belt.

Sennheiser MKE 300
The MKE 300 was designed especially for use on film and video cameras/camcorders. It is fitted into the camera's flashmount and by virtue of its supercardioid/lobar pick-up pattern picks up the sound coming from the direction the camera is pointing.
•High directivity
•Sprung-mounted capsule suppresses handling noise
•Integrated power supply
•Flash-mount adapter
•Quality sound with your picture.

Sennheiser K6/ME66 Shotgun Microphone
The ME 66 is a short gun microphone capsule designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.
•Super-cardioid/lobar pick-up pattern
•Highly directional
•Low inherent self-noise
•High sensitivity
•Frequency response 40 - 20,000 Hz +/- 2.5 dB

PSC Universal Hot Shoe Mount
Universal shockmount with a hot shoe mount. Available in small and large sizes.

PSS XLR F - Sterio Mini M Adapter Cable

Sennheiser 100 Series ENG Combo
UHF wireless system operates in the 630-662 MHz frequency range. PLL Synthesizes, HDX noise reduction, total of 1280 available frequencies, 60 - 18k Hz frequency response. Systems include CL1 line stereo mini male cable, Velcro and batteries. Includes EK100 - camera mountable UHF receiver with 4- preset memory locations, Mute switch, 1/8" unbalanced output. SK100 - Body pack transmitter available with an ME-2 omnidirectional electret lav mic. > 8hrs operation with alkaline 9V. SKP100 - Plug-on transmitter with XLR input for dynamic and self powered mics. > 8hrs. operation with alkaline 9V.

Sennheiser Evolution 500 Series Wireless
The Evolution 500 Series wireless microphones represent Sennheiser quality at its best, combined with the rugged performance required to support today's sound touring and production applications. Fixed receiver comes as standard with 16 frequency presets for large scale multi-channel operation. A portable bodypack receiver is ideal for simple clip-on attachment to film, television or video cameras for location filming or broadcast sound. 16 Presets: Complete Multi-Channel Operation Made Simple Running up to 16 simultaneous channels on stage; vocals, guitars, basses, acoustic instruments can all go wireless.

Lectrosonics 100 Series
Ideal for compact DVC cameras in applications such as event videography and more. The system consists of the UCR100 compact receiver and the UM100 bodypack transmitter. Provides 256 synthesized UHF frequencies over a 25.6 MHz band for exceptional flexibility. Access the frequency selection switches via a sliding door located on the side panel. Employs a proprietary dual-band compander audio noise reduction system for an audio quality suited to the finest microphones. Operates from a 9 volt battery. Constructed in a rugged machined aluminum.

Shure VP 64
A perfect choice for broadcast and video production applications. Contains a high energy neodymium magnet. Consistent audio quality on or off axis, high output, low noise, effective shock isolation and extremely rugged construction. Windscreen and swivel adapter supplied.
Omnidirectional
Frequency Response 50Hz-12kHz

Porta-Brace Mini-DV Camera Cases
The MINI-DV CAMERA CASES are for small digital camcorders. The cases are padded with 1" foam for extra protection and covered with 1000 Denier Cordura®. The main compartment provides ample room for a camera, cassettes, batteries and handle grip. Two full length pockets provide room for carrying maps,  notes and manuals. There is  a display window  for identification information and comfortable suede carrying handles and suede shoulder strap.

Pelican Protector Cases
Pelican cases are designed for active professionals. Pelican Protector Cases are watertight to 30 feet and unbreakable. An incredibly light structural foam resin shell always looks new and is unaffected by dents, scratches or corrosion. Inside, prescored "Pick 'N' Pluck" foam or padded dividers protect even the most sensitive equipment.
Pelican Protector Cases are sized for every need and provide no-nonsense hard knocks protection coverage for the on-the-job situations, regardless of the hazards of transportation, handling, shipping and site conditions.
Pelican Cases meet and far exceed the highest standards of industrial, airline, military and commercial applications.
 

Other sizes available upon request!

Rycote Softies
Available as a combined windshield and shockmount (70mm diameter) performing as well as a standard windshield. The Softie windshield alone provides a fast, flexible and cost effective solution for ENG on-camera microphones. Constructed of an acoustic foam base covered by a specially designed synthetic fur fabric together with a separate shockmount with its own bracket and either a pistol grip handle or boom adapter. It's available in a large range of sizes to fit most popular microphones.

Lightwave GT10 Boompole
The GT-10 is Lightwave Audio Systems' new, strong 5-section aluminum boom pole designed for broadcast and all other users. The pole is robust enough for the ENG market and priced to be attractive to all users. The GT-10 provides the quality of a far more expensive pole

Ambient QL570CM Boompoles
The Booms are made with a lighter 1mm wall thickness woven carbon fiber tubing. The aluminum screwlocks have been reduced in size. The booms are still very strong and can stand up to the rigors of video ENG work. They are available in 4 or 5 segment versions allowing longer booms to fit in flight cases. These booms have been optimized for weight without sacrificing any of the engineering quality seen in the standard range.

PSC Elite Boompoles
The Elite series of boom poles from Professional Sound Corporation represent a no compromise design based on our vast boom pole experience. All Elite boom poles were in essence, designed by you, our customers. The design is a compilation of more than 22 years of customer feedback and suggestions. Each pole is hand crafted in the USA from the finest materials available.

The Elite series of boom pole tubes utilize a blend of super high modulus carbon fibers that are precision wound to our specifications by the top carbon fiber specialists in the U.S.A. These high tech tubes provide a delicate balance of strength, stiffness, torsion rigidity and low handling noise. Hundreds of hours went into the design of these carbon fiber masterpieces. After winding, each tube is impregnated with the highest quality resins available and baked under tight, computer controlled temperature and humidity conditions. Each tube is then painstakingly ground to the highest aerospace tolerances.

Elite Poles for Elite Users

Rycote Short Hair Softies
Specifically designed for camera mounted mics. The exterior offers a low profile and more compact design. Utilizes closely cropped synthetic fur that allows for camera mounted lighting without unnecessary shadows. Accommodates Sony BVW, DNW-90SNP, BVP5 and BVP7 cameras.

Electro-Voice RE50
Designed for broadcast use. Each member of the RE50 family contains an integral windscreen and provides exceptional isolation from handling noise for superior sound.
Omnidirectional
Frequency response 80Hz-13kHz PAlso available: RE50/B (Black)

Electro-Voice 635A
One of the most popular ENG field production mics. The 635 family of microphones deliver high output and unsurpassed durability. So much that it has earned the nickname "The Hammer". Integral windscreen and filter protects against wind and breath noise.
Omnidirectional
Frequency response 80Hz-13kHz
Also available: 635/B (Black), 635L (Long Version) and 635L-B (Black Long Version)

PSC Millimic
Incorporates miniature size, a high output level, a low inherent noise floor and exceptional isolation. Minimal handling noise due to non-reflective finish on the mic cable. Design to be unobtrusive on camera. Available in black or white color.
•Accessories available: Tie Bar, Double Tie Bar, Vampire Clip, Tape Down, Cable Mount, Windscreen Clip, and the exclusive Guard Mount.
•Omnidirectional electret
•Frequency response 40Hz-16kHz.
•Also available: Variety of wireless connector configurations

Tram TR-50
JBest known for ENG, TV or Film applications. Miniature design. Power supply uses MS-76 battery or phantom power. We always recommend purchasing a detachable power supply for maximum capabilities. Available in assorted colors.
•PSAccessories available: COH (Vampire Clip), TB (Tie Bar), WS (Windscreen), (Tapedown) and more.
•Omnidirectional electret
•Frequency response 40Hz-16kHz S
•Also available: TR-50 BML (Lectrosonics), TR-50 LV (Vega), TR-50 PS (Hardwired) and others.
 

Sony ECM 44B
Excellent cost / performance ratio. Ideal for most field applications. Hardwire configuration that is powered by AA-size batteries. Can be modified at your request for any connector configuration. Available in black or nickel finish.
•Accessories available: Tie Bar Clip, Foam Windscreen and Carrying Case.
•Omni-directional
•Frequency response 40Hz-15kHz

Sony ECM 66B
Designed for instrument applications. Powered by either AA-size batteries or an external power supply. Standard hardwire version. Can be modified at your request for any connector configuration. Available in black or nickel finish.
•Accessories available: Single and Double Tie Bars, Foam Windscreen
•Cardioid
•Frequency response 70Hz-14kHz

Sony ECM 77B
Designed for ENG/EFP applications. The smallest capsule available from Sony. Powered by either AA-size batteries or an external power supply. Standard hardwire version. Can be modified at your request for any connector configuration. Available in black or nickel finish.
•Accessories available: Single and Double Tie Bars, Metal Windscreen
•Omnidirectional electret
•Frequency response 40Hz-20kHz

Sony MDR-7502
Keeping with the high quality found in the MDR series. Closed ear design for comfort and reduction of external noise interference. 30mm driver unit that reproduces for clear, high quality sound. Includes a stereo unimatch plug for 1/4" and 1/8" applications.
•Headphone response 60hZ-16kHz
•Headphone impedance 45ohms
•Also available: MDR-7504

Sony MDR-7506
Considered to be one of the standards in field monitoring applications. Closed ear, dynamic 40mm driver unit in a rugged design that folds for easy storage. Clear high quality sound. Supplied with 1/4" or 1/8" gold stereo unimatch plug and soft storage case.
•Headphone response 10hZ-20kHz
•Headphone impedance 63ohms

WindTech BG-1
Shotgun windscreen known as the ŒBig Gun for superior wind protection. Inside Diameter: 0.750", Outside Length: 8.375" Inside Depth: 7.250", Outside Diameter: 3.000"

Rycote Lavaliere Windjammers
The Rycote Lavalier Windjammer (Furry) is designed to be used on Lavalier microphones worn on the outside of clothing. The fur covering is manufactured so that the opening can be stretched to accommodate the microphone and fit snugly around the cable. To ensure a proper fit, removable foam inserts, designed to hold many popular sized Lavaliere microphones, are provided and to also provide the air space required to make the Windjammer effective. In some instances it may be preferred to use the windscreen that comes with the Lavalier microphone, which can also be accommodated.

Sennheiser MZQ6 Hot Shoe Mount
Videocamera mount for K6 series microphones.